Photo: #Jon Drew works on his 1886 Golding Pearl letterpress at LegUp Studio in Minneapolis, Minn. Nov. 27, 2012. Drew, who is a printer and teacher, restored the Pearl which was handed down to him by his high school graphic arts instructor.
Photo: #Jon Drew sets a card on his 1886 Golding Pearl letterpress at LegUp Studio in Minneapolis, Minn. Nov. 27, 2012. Drew was printing holiday cards for the wife of a former teacher, and past owner of his press, who recently passed away.
Photo: #A box of letterpress letters are organized in Jon Drew's workspace at LegUp Studio in Minneapolis, Minn. Nov. 27, 2012.
Photo: #Jon Drew concentrates on printing a batch of cards on a letterpress at LegUp Studio in Minneapolis, Minn. Nov. 27, 2012. Drew had a printing shop in Minneapolis for many years and now prints and teaches classes at LegUp Studio.
Photo: #Jon Drew works on his restored 1886 Golding Pearl letterpress at LegUp Studio in Minneapolis, Minn. Nov. 27, 2012. The press was was originally owned by Drew's former instructor Robert Papas.
Photo: #Jon Drew's letters are sorted in boxes at LegUp Studio in Minneapolis, Minn. Nov. 27, 2012. Drew is a printer working with presses handed down from his teacher, and he also teaches classes at LegUp Studio.

Minnesota Sounds and Voices

Jon Drew's 126-year-old letterpress: Minnesota Sounds and Voices

by Dan Olson, Minnesota Public Radio
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MINNEAPOLIS — There is an alternative to mass-produced holiday greeting cards: Those that are printed, one at a time, on a 126-year old letterpress.

That's Jon Drew's specialty. And this year he's making the cards as a labor of love for the widow of Robert Papas, the high school teacher who taught him the craft.

• Click on the slideshow link at right to see more photos of Jon Drew

"I'm going to do the Christmas card using some of his type, on his press," says the 60-year-old commercial printer and Minneapolis Southwest High School graduate. And when Donita Papas hands out the cards, "it'll be a beautiful thing."

Now he's opening his passion for the letterpress to anyone. After decades of collecting and restoring old letterpresses, he's moved thousands of dollars worth of antique printers and other equipment into the Legup Studio in northeast Minneapolis, where a new generation of artists can sign up and learn a creative process that's been pushed aside by hi-tech printing.

"I've finally let go a little bit to put in the public domain as it were where people can sign up for a membership and use it," he says.

Drew specializes in the detective work it takes to find and restore the antique presses and their little blocks of lead letters; they're not common and are very expensive to replace. And he won't reveal his source for the precious antique letterpress type he continues to amass.

But he's happy to share his Christmas creations.

"May God's joy and love comfort you this year and always. . . let's see. . .," he says, fussing over the language on the card. It will be seen by lots of eyes, including other printers, and he wants it just right.

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