Two Harbors, already a successful and acclaimed local rock outfit, are taking their sound to the next level with their new album The Natural Order of Things, just released on Record Store Day.
This world isn't fair, but every once in a while, good things happen to good people - and that's definitely the case with Sonny Knight, the Minnesota soul music veteran who's reaching a new career peak in his mid-60s.
For the past several years, MaLLy has been one of Minnesota's busiest and best MCs. His new album "The Colors of Black," produced by Last Word - MaLLy's longtime concert DJ - is an ambitious effort featuring wide-ranging lyrical reflections on the artist's life and times, and has already attracted national attention from the likes of Chuck D.
"Writing this book was not fun," says Michael Marissen at the end of the introduction to his new book, "Tainted Glory in Handel's 'Messiah'" (Yale University Press). Marissen is referring both to the arduous historical research the volume required and to the fact that being its author puts him in the role of splashing cold water on the world's adoration for one of the most popular musical works of all time: Handel's towering oratorio on the life of Christ.
In a press release, Warner Bros. describes its new deal with Prince as "an exclusive global licensing partnership that covers every album released from 1978 into the nineties." A detail that's likely crucial for the artist is that he'll take ownership of the master recordings of his previous Warner Bros. releases, giving him more control over how that music will be used and released in the future.
People tend to think of GRRRL PRTY as a party band--which is understandable, they acknowledge, given that they do have "PRTY" in their name--but there are dark dimensions beneath the group's bouncy beats. They don't have much music available to hear on your headphones, but this week they helped to bridge that gap with a fiery performance in the Current's studio.
Given a whole arena to play with, Arcade Fire gave their fans an experience quite unlike the typical Target Center show, and not just because of the ironic references to the venue's name.
Frankie Teardrop is the mystery man of local rock 'n' roll -- not least because the Minneapolis musician's biggest single is called "Chicago" -- and his interview with the Current's Dave Campbell didn't do much to lift the veil that hides a man who says he wasn't born from any mother, he just "crawled out of a sewer pipe."
Classical music is a living art, always changing and growing. We asked classical musicians and fans from across the country - including some from our staff - to tell us why they're excited about the future of classical music.
Classical MPR's music library has thousands of CDs, organized by label: rows of Deutsche Grammophon, shelves of Harmonia Mundi, piles of Philips. Among all this music there's only one disc filed under "ArtistShare" - but it's one very fine disc. It's Winter Morning Walks, the Grammy-winning result of a collaboration between composer Maria Schneider, soprano Dawn Upshaw, the Saint Paul Chamber Orchestra, and the Australian Chamber Orchestra.
The XXII Olympic Winter Games will proceed with all the typical drama and pageantry. They'll also, however, be among the most politically charged Olympics in recent memory - and classical musicians, as part of the opening ceremony, will be right in the middle of the controversy.
The Daedalus Quartet is playing in St. Cloud this Saturday. The program is unusual: works by mid-twentieth century composers who were ostracized by, oppressed by, or even killed by the Nazi regime.
Prince has always been extremely protective of his copyrights, and the Minnesota megastar has just lobbed a lawsuit at 22 fans for "massive infringement and bootlegging of Prince's material."
After 15 long months, the lockout of the Minnesota Orchestra musicians has ended. We asked some of our staff here at Classical Minnesota Public Radio to share their thoughts: What have we learned? What's the takeaway? Are there lessons for the future? What are the next steps?
It's been widely noted that the Minnesota Orchestra's 15-month lockout was the longest in American orchestral history — but by how wide a margin?