One of the most successful break-out bands for Minnesota in the past decade and a half, Motion City Soundtrack popularized the pop punk sound in the late '90s. They struck a chord in a young demographic that quickly started a MCS bonanza with high-profile live shows and a string of successful records which have already sold a combined half a million copies.
Hollow Boys' new mini-LP, "When You Think of Us, Pray For Us," has a happenstance title. The message was inside a card that fell out of one of Ali's records, and it solidifies the natural manner in which this band has come together.
The Chalice may be a new collective, but the three emcees who make it up - Sophia Eris, Claire De Lune and Lizzo - are well-known in the local music community both here and outside the region. Bringing a much needed light to female-fronted hip-hop, the trio mixes whip-smart raps, crisp production and clever imagery to create songs that don't plan on leaving your head anytime soon.
The Hypstrz were considered one of the purveyors of cool in the Twin Cities during the late '70s and early '80s, helping to pave the way for some of our most beloved bands like The Suicide Commandos and The Suburbs. Hypstrz had a different niche though: reworking '60s classics into an idiosyncratic, full-out garage rock and punk experiment. And while they didn't immediately get the attention they deserved, the band has now gone down in the history books of Minnesota music.
If there's one artist in the Twin Cities who has steadily increased their recognition and popularity, it's probably MaLLy. Malik Watkins is only in his mid-20s, but his reputation has been bolstered by encouragement from the Rhymesayers crew and old friends from the high-school days that now collaborate with him side-by-side.
Local duo Bloodnstuff has been gathering accolades the past few months for their raucous live show. While many might think they're a new band on the circuit, Ed Holmberg and Dylan Gouert have actually been playing around for almost ten years, finessing a craft that has seen many incarnations.
Dylan Hicks has been in the midst of a long-term hiatus. We saw the release of his last record in 2001 after a string of prolific efforts starting all the way back in 1990. Maybe he was tired and maybe he needed something new, but we can at least partially chalk up his absence as the result of his most recent endeavor: "Boarded Windows," Hicks' new book.
I Self Devine's new record features a slew of hip-hop power players to complement an emcee who is gaining major ground locally and nationally for his whip-smart and poignant raps. In his debut for The Current, I Self Devine talks Soundset, origins, his wide-range of influences from disco to his mother, graffiti and more.
Aby Wolf was chosen to partake in the Cedar Cultural Center's 416 Club Commission in 2011 and received a grant to explore a new electro-art-pop project that had been stewing in her mind. Recruiting the talents of Jesse Whitney, Linnea Mohn and Joey Van Phillips, Wolf created A. Wolf and Her Claws. Instead of a one-off performance as originally planned for the Cedar's winter season, a full-fledged band has been formed and there's no signs of slowing the momentum.
Is/Is has consistently risen to the top of the local music scene, anchored by tight, vintage-inspired rhythms and scuzzy vocals that has made many a garage/psych rock fan's ears experience sonic bliss. That's a lofty statement, but the trio of musicians have been critical darlings since they first began making music. Now they are back in the spotlight with their long-awaited debut record "III."
Long-time veterans of the local music community, Magic Castles are now getting a proper reintroduction. Thanks to Brian Jonestown Massacre's Anton Newcombe, the band has released a deluxe retrospective of their career through his personal record label.
Spending most of his life between Jacksonville and Seattle, Andy Bothwell's adopted pseudonym of Astronautalis has managed to play shows in the Twin Cities on a consistent basis over the past decade. Through his time in Minnesota, Bothwell befriended many of our most acclaimed local musicians, one of the many reasons he finally decided his move to the state would become a reality.
Cursive is a true genre-definer. The Omaha-based band has explored a post-hardcore sound and its fringes since the mid '90s, a precursor to what would become popular in the years to come. Longtime members of Saddle Creek Records (Bright Eyes, Land of Talk), they're back with their seventh release "I Am Gemini," a highly conceptual affair which still manages to pull in new listeners alongside their veteran fans.
Chastity Brown has been absent from Minnesota for a little while, but there's a good reason for it. Knoxville born and raised and a Minneapolis transplant, the inspiration for her latest album "Back-Road Highways" largely came with her roots. Tennessee and the South in general have helped shape Brown's newest sound, one which pushes her into new territory, both lyrically and instrumentally.
As one of the signature bands of the influential local Moon Glyph record label, Food Pyramid has seen its fanbase grow steadily since the release of their trio of cassette tapes starting in 2010. Gathering a pool of national accolades over the years as a result, this young trio (with a cast of rotating guest musicians) is about to celebrate further with the release of "Mango Sunrise," their first proper full-length.