British rockers Kasabian emerged at the height of the early-to-mid-2000s British indie hype wave alongside peers like The Libertines, The Music, The Coral and more. Last year, the band released their fourth album, "Velociraptor!," which was hailed by critics and fans as a major artistic step forward for the band.
The Joy Formidable has been around for five years now, but it wasn't until 2011 that they released their debut album. Building upon the steady buzz they received with their EP "A Balloon Called Moaning," they've since gone on to play late-night television, appear on film soundtracks and gather accolades from some of alternative rock's most iconic acts like Garbage and Foo Fighters.
Nope, The Honeydogs didn't get that "rock 'n roll formula" memo. Or if they did, they ignored it. And we should thank them for it. While it's true that "What Comes After" is The Honeydog's first studio recording they've released in six years, it is also true that with this10th studio effort, they've released the best CD of their career.
Denver-based band Tennis describe their new album "Young and Old" as "Stevie Nicks going through a Motown phase." Produced by Patrick Carney of The Black Keys and recorded in three weeks, their breezy pop songs were inspired by touring and poetry from Yates.
Heartless Bastards encapsulates that all too classic story of the small Midwest band who quickly found an audience and rose to prominence. In their case, it was a hard-hitting approach to blues rock and frontwoman Erika Wennerstrom's lyricism which got them their accolades. The niche in music they helped to fill in the early aughts hasn't lost its importance - Heartless Bastards is still on the forefront of a scene which seems to be exploding in popularity.
When you think of Amy Winehouse, you may think of the tragedies of her short life that played out right in front of us. It's hard not to think about the multiple times we read about her substance-fueled performances or the performances cancelled because she was unfit to take the stage.
This July, The Black Keys were kind enough to drop in and do a Theft Of The Dial session with us before playing a long Sold-Out show with Cage the Elephant.
After college at Northwestern University, Rachael Yamagata got her music start with Chicago band Bumpus. After six years of touring, she decided to go solo releasing her first self-titled EP in 2003, which she followed up with her first full-length "Happenstance" a year later.
Music runs in the family for Alan Palomo, frontman for the electro-indie band Neon Indian. Born in Mexico, his father was a pop star in the '70s and '80s, which influenced his band now based in Denton, Texas.
For someone who has said he doesn't spend a great deal of time in front of a computer, Tom Waits knows how to use the internet to get his message across. Remember the 2008 "press conference" for his Glitter and Doom tour?
Brooklyn band The Drums serve up a master class in wired guitar-pop. Their infectious music is sourced in everything from '60s garage-rock to '70s power-pop and '80s post-punk and new-wave.
This is one of the most visual recordings I've ever had the pleasure of listening to. Full disclosure -- when I heard about this project for the first time I was very excited... but I was excited more about Nick Hornby than Ben Folds!
Kevin and Anita Robinson are a husband and wife team that call Portland, Ore. home. They have been playing together for over 15 years as both Viva Voce and as part of Blue Giant. The band was in town for a show on the U of M Campus last week, and they dropped in for a very special, rare acoustic set.
In addition to his solo work, Ken Stringfellow is, or has been, in R.E.M., Big Star, The Minus Five, The Disciplines and The Posies, just to name a few.
This amazing collection of songs highlights the musical legacy of an artist who was taken from us much too young.