Slideshow: Met Opera's 'Rusalka'

by Julie Amacher, Minnesota Public Radio
February 8, 2014
John Relyea as the Water Sprite and Renee Fleming in the title role of Dvorak's "Rusalka." (Ken Howard/Metropolitan Opera) Renee Fleming in the title role of Dvorak's 'Rusalka'. (Ken Howard/Metropolitan Opera) Emily Magee as the Foreign Princess and Piotr Beczala as the Prince in Dvorak's "Rusalka." (Ken Howard/Metropolitan Opera) John Relyea as the Water Sprite in Dvorak's "Rusalka." (Ken Howard/Metropolitan Opera) Renee Fleming in the title role of Dvorak's "Rusalka." (Ken Howard/Metropolitan Opera) Piotr Beczala as the Prince in Dvorak's "Rusalka." (Ken Howard/Metropolitan Opera) Renee Fleming in the title role and Dolora Zajick as Jezibaba in Dvorak's "Rusalka." (Ken Howard/Metropolitan Opera) Renee Fleming in the title role of Dvorak's "Rusalka." (Ken Howard/Metropolitan Opera) Piotr Beczala as the Prince in Dvorak's "Rusalka." (Ken Howard/Metropolitan Opera) Piotr Beczala as the Prince and Renee Fleming in the title role of Dvorak's "Rusalka." (Ken Howard/Metropolitan Opera) A scene from Act 2 of Dvorak's "Rusalka." (Ken Howard/Metropolitan Opera)
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St. Paul, Minn. — Throughout her opera career, soprano Renee Fleming has seen design trends come and go. The Met's current production of Dvořák's fairy-tale opera, Rusalka, features lush sets that could have been lifted directly out of a Tolkien story: realistic, but tinged with fantasy.

"This production now looks exotic because it's been so long - two decades since designers have made naturalistic sets," Fleming says. "And I don't know that we'll see it again. I'm happy that it's being captured because it is very beautiful."

Renee Fleming sings the title role ofRusalka in the Met's current production; it will be broadcast live on Classical MPR this Saturday at noon and screened in HD in cinemas nationwide through Wednesday, Feb 12.

Synopsis

Act I
A meadow by a lake, in fairy-tale times. The water nymph Rusalka sits sadly by the water as wood nymphs sing and dance. When the water gnome Vodnik asks why she is unhappy she tells him that she has fallen in love with a human -- the prince -- when he came to swim in the lake. Now she wants to become human herself and live on land to be with him. Horrified, Vodnik tells her that humans are evil and full of sin. When Rusalka insists, claiming they are full of love, he says she will have to get help from the witch Jezibaba, then sinks back into the lake in despair. Rusalka calls on the moon to tell the prince of her love ("Mesícku na nebi hlubokém"). Jezibaba arrives and agrees to turn Rusalka into a human -- but warns her that if she doesn't find love she will be damned and the man she loves will die. Also, by becoming mortal, she will lose her power of speech. Convinced that her feelings for the prince can overcome all spells, Rusalka agrees and Jezibaba gives her a potion to drink. As dawn breaks, the prince appears with a hunting party and finds Rusalka by the lake. Even though she won't speak to him, he is captivated by her beauty and leads her away to his castle. From the lake, the voices of Vodnik and the other water nymphs are heard, mourning the loss of Rusalka.

Act II
At the prince's castle, the gamekeeper and the kitchen boy talk about the approaching wedding of the prince and his strange new bride, whose name nobody knows. The prince enters with Rusalka. He wonders why she is so cold toward him but remains determined to win her. A foreign princess, who has come for the wedding, mocks Rusalka's muteness and reproaches the prince for ignoring his guests. The prince sends Rusalka away to dress for the ball and escorts the princess into the castle for the beginning of the festivities.

In the deserted garden, Vodnik appears from the pool. Rusalka, who has become more and more intimidated by her surroundings, rushes from the castle in tears. Suddenly recovering her voice, she begs Vodnik to help her, telling him that the prince no longer loves her. The prince and the princess come into the garden, and the prince confesses his love for her. When Rusalka intervenes and rushes into his arms he rejects her. Vodnik warns the prince of the fate that awaits him, then disappears into the water with Rusalka. The prince asks the princess for help but she laughs at him and tells him to follow his bride into hell.

Act III
Rusalka sits by the lake once again, lamenting her fate. Jezibaba appears and mocks her, then hands her a knife and explains that there is a way to save herself: she must kill the prince. Rusalka refuses, throwing the weapon into the water. When her sisters reject her as well, she sinks into the lake in despair. The gamekeeper and the kitchen boy arrive to ask Jezibaba for help. The prince, they say, has been bewitched by a strange wood girl he was going to marry. Enraged, Vodnik rises from the water, saying that it was the prince who deceived Rusalka. Terrified by the supernatural sight, the two run away. The wood nymphs enter, singing and dancing, but when Vodnik explains to them what has happened to Rusalka they fall silent and disappear.

The prince, desperate and half crazy with remorse, emerges from the forest, looking for Rusalka and calls out to her to return to him. She appears from the water, reproaching him for his infidelity, and explains that now a kiss from her would kill him. Accepting his destiny, he asks her to kiss him to give him peace. She does, and he dies in her arms. Rusalka asks for mercy on his soul and vanishes into the water.

Rusalka: Song to the Moon (Renée Fleming), courtesy Met Opera:


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