State of the Arts Category Archive: Storytelling

Lev Grossman: Fantasy literature came first

Posted at 1:45 PM on August 17, 2011 by Marianne Combs (0 Comments)
Filed under: Books, Storytelling, Writing

Recently in an essay for the Wall Street Journal, author and book critic Lev Grossman mused on the lower class status that fantasy fiction garners from most adult readers. Fantasy literature, they seem to believe, is just for kids.

Grossman, the author of the popular "Magicians" series - which is written specifically for an adult audience, disagrees.

"All fiction is fantasy," he protested. "Fantasy is the rule, not the exception. If anything, it's realist literature that pretends to be real. Fantasy doesn't pretend."

Kerri Miller asked Lev Grossman to elaborate on this idea on Midmorning, and he had this to say:

Fantasy literature has a wonderfully long history - far longer than realist fiction, which, on the cultural clock, showed up around 11pm. There was a long period of time when most fiction was fantasy fiction - Homer wrote fantasy fiction. And the question whether it was for adults or kids didn't really pertain. You sat around the fire or the mead hall or the scriptorium and you read your Homer.

Only recently - and I peg it to about the 18th century - did this idea that realist fiction - serious writing about how live now - is literature, and all this stuff with fairies and magic in it was relegated to fairy tales or children's stories. That split happened relatively recently, and I think what's happening now is we are repairing the rift. Magic is coming back into the world of fiction, where it's always had a place.

You can hear Kerri Miller's entire conversation with Lev Grossman by clicking on the audio link below.

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Red Balloon Bookstore changes leadership

Posted at 2:16 PM on July 22, 2011 by Euan Kerr (0 Comments)
Filed under: Books, Media, People, Storytelling

In an economy where brick and mortar big box book behemoths keep failing, the Red Balloon Bookstore in St Paul has sailed along.

Not that there haven't been bumps in the road admits Michele Cromer-Poiré. She and Carol Erdahl founded and opened the store in 1984, and they have remained at the helm ever since, weathering the storms of the book business against all odds.

The Grand Avenue store has become a St Paul institution, with a reputation for being well stocked with both classics and new releases, and as a great place for author readings.

Now Cromer-Poiré and Erdahl are retiring. Cromer-Poiré says they've been thinking about it for a while.

"Our husbands have been retired for, actually, decades," she laughs.

But she says they didn't want to just walk away

"We wanted to keep it going, and we think of it kind of as our legacy," Cromer-Poiré said. "We found these fabulous women and we think the Red Balloon has a fabulous future with them."

On August 1st Holly Weinkauf of St. Paul and Amy Sullivan of Minneapolis will become the Red Balloon's new owners. Cromer-Poiré is delighted by what she sees as the similarities between Weinkauf's and Sullivan's experiences and how she and Erdahl felt as they launched the store.

Cromer-Poiré says she thinks the Red Balloon has survived because she and Erdahl were, as she puts it "intrepid." They forged ahead, no matter the challenges, while keeping a close eye on finances to keep the store viable.

She says she never thought they wouldn't make it.

"No, I don't think that ever crossed our minds," she said. "One of the smartest things that we ever did was that we managed to own our own space, so we are not beholding to a landlord, and because of that we can control our occupancy costs."

But it's taken more than good financial management to make the Red Balloon the success it is. Cromer-Poiré says its a combination of good customer service, by staff with decades of experience, all working towards an important goal.

"We have really been focused on connecting kids with literature, with books, with authors with illustrators, and through that been promoting literacy and fun with reading."

The Red Balloon has been around for 27 years. When asked to predict how things will be in the book industry in 27 more, Cromer-Poiré doesn't miss a beat.

"I see the Red Balloon still surviving, I don't know that childrens books and quality childrens booksstores will go away ever. There's something special about the relationship between a parent and a child when the child is sitting on the lap and the parent is reading to the child."

She recalls how people predicted the introduction of audiobooks would spell the end of the paper books. That didn't happen, and while the Red Balloon does sell ebooks, she says they will never replace a good picturebook."

She won't be there behind the counter but Michele Cromer-Poiré says she'll still be there regularly.

"We wrote into the purchase agreement that Carol and I will get an employee discount," she said with a laugh. "I'm always going to buy my books from the Red Balloon!"

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Contemporary printers: breaking all the rules

Posted at 4:59 PM on July 26, 2011 by Marianne Combs (1 Comments)
Filed under: Books, Galleries, Libraries, Poetry, Storytelling, Writing

Printmaking - especially letterpress printing - is a precise art with a long tradition and a lot of rules.

In fact, says the Minnesota Center for Book Arts' executive director Jeff Rathermel, letterpress printers on the whole are a little bit anal.

For instance, the print should "kiss" the surface of the paper; embossing or indenting the page is considered "bad printing," because it will show up on the other side of the page.

Rathermel continues to rattle off a number of other rules involving page size and design, colors and fonts. Indeed, there are a lot of rules.

Macy Chadwick
"Connect the Dots"

But Rathermel says there is letterpress as a fine art tradition, and then there's the letterpress of the contemporary artist, which is constantly testing the boundaries of the form.

And that's why the MCBA is currently presenting an exhibition of letterpress artists who know all the rules, and have chosen to ignore them.

And they're not just breaking the rules in order to be mavericks -they're doing it in service to the art. Everything about an artist book is in service to the content- you're breaking rules because it's helping you to tell the story. It's adding another element to the text. It's adding a visual component, a texture, a layer to the story. Whereas if you're going by the traditional rules, you have a very straightforward approach to telling the story.

The exhibition is called "Fine & Dirty: Contemporary Letterpress Art."

Simon Redington
"Bomb"

The show comes at a time when book artists are enjoying newfound respect in the art world. According to Rathermel, just twenty-five years ago, letterpress printing was oft dismissed as irrelevant.

Rathermel co-curated "Fine and Dirty" with book arts scholar Betty Bright. Bright is the author of No Longer Innocent: Book Art in America, 1960 to 1980, the first comprehensive history of the book art movement in America. Bright says what's changed in the world of book arts in the past 25 years is, well, pretty much everything.

When I walk through the gallery, I am struck by the rampant diversity on show. Pattern and scale, text and image, structure and material - the letterpress printed book continues to absorb and transform every conceivable artistic element into a cohesive art work that you can touch and hold, page through, then pass along to the next reader.

Karen Kunc
"Air, Water, Oil"

Bright says contemporary artists are not only working with new media, but are using their voices to speak out on all manner of issues and ideas. And, she says, they are exploring and playing with the physicality of the book.

I believe that a larger cultural influence driving the interest in book art is a reaction against the overwhelming screen-based media stream that all of us live within. We don't live in our bodies as we used to, and we reach out to a medium that reconnects us with all of our senses. Don't get me wrong: I do not ascribe to a simplistic Luddite attitude, quite the contrary. Computer technology has played the hero's role in the revitalization of book art and of letterpress in particular. What I mean, is that the hours spent in front of a screen fosters an equal desire in humans for the sensual, for touch, for contact.

This show, according to Jeff Rathermel, features "the best of the best" in contemporary letterpress, with more than 40 artists from several countries. It also includes work by local artists Chip Schilling, Regula Russelle and Paulette Myers-Rich, among others.

Betty Bright says, by all art world standards, the field is healthy and growing.

Over the last twenty-five years book art has grown in every conceivable category. Every major U.S. city boasts a strong collection of artists' books, along with a place to study, either at a community-based or at a higher educational institution. Collections of artists' books exist at colleges and universities, in book art centers and museums (where they are often dispersed among print and photography departments). I cannot keep up with the organizational and educational vitality: it appears to be in a constant growth pattern.

"Fine & Dirty: Contemporary Letterpress Art" runs through October 16 at the Minnesota Center for Book Arts.

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A museum for writers in Minnesota?

Posted at 2:30 PM on April 19, 2011 by Marianne Combs (0 Comments)
Filed under: Books, Museums, Storytelling, Writing

There was a special guest at this weekend's Minnesota Book Awards ceremony: Malcolm O'Hagan, President of the The American Writers Museum Foundation. O'Hagan is on a quest to find a home for his literary museum, which is still in the early fundraising stage of creation.

O'Hagan was the guest of Pat Coleman, acquisitions librarian for the Minnesota Historical Society, and brother of St. Paul mayor Chris Coleman. Irish by birth, I'm sure O'Hagan was delighted to see poet Leanne O'Sullivan take the stage to receive the O'Shaughnessy award.

Two articles, from the Pioneer Press and MinnPost.com, go into detail on O'Hagan's visit, which included a performance of the opera "Wuthering Heights" inspired by Emily Brontë's novel (according to reviews, that may not have been such a good idea).

Possible homes for the museum that were bandied about include the Minnesota History Center and the James J. Hill Reference Library. But evidently Chicago is the frontrunner in this race.

Chicago? Really?

I thought it might be fun to make a list of just why such a museum should find its true home here in the Twin Cities, so without further ado, see below. Am I missing something? Add it in the comments section.

Why a National Writers' Museum would do well to settle in the Twin Cities:

1. F. Scott Fitzgerald lived and wrote here.
2. So did Sinclair Lewis.

3. Minneapolis is the third most literate city in the nation

We are home to three of the top four independent literary presses in the United States:
4. Milkweed Editions
5. Graywolf Press
6. Coffee House Press

7. St. Paul is the 7th most literate/literary city in the nation

8. We are home to Open Book, a unique center devoted to a love of the book, which, in addition to housing Milkweed Editions, is also home to:
9. The Loft Literary Center
10. and the Minnesota Center for Book Arts

11. St. Paul has poetry embedded in its sidewalks.

Then there's:
12. Robert Bly
13. Carol Bly
14. Bill Holm
15. Louise Erdrich
16. Kate DiCamillo
17. Garrison Keillor, author and host of Writers' Almanac, in addition to hosting A Prairie Home Companion.
18. Rain Taxi Review of Books

The Twin Cities are home to a wealth of independent book stores, including (but not limited to):
19. Micawber's Books
20. Birchbark Books and Native Arts
21. Magers & Quinn
22. Once Upon a Crime
23. Red Balloon Bookshop
24. Sixth Chamber Used Books
25. Wild Rumpus
26. Uncle Edgar and Uncle Hugo
27. True Colors Bookstore
28. Common Good Books

Oh and let's not forget:
29. Leif Enger
30. Pete Hautmann
31. Kevin Kling

32. We have a theater named after F. Scott Fitzgerald
33. We have a restaurant/cafe named after Oscar Wilde

Obviously I could go on and on - what would you add to the list?

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Open Book turns 10

Posted at 4:25 PM on May 6, 2010 by Marianne Combs (1 Comments)
Filed under: Books, Craft, Education, Printmaking, Storytelling, Writing

Open Book is the home of the Loft Literary Center, Milkweed Editions and the Minnesota Center for Book Arts.

This Saturday Open Book is celebrating its ten year anniversary as a center for the literary and book arts.

After watching the center grow and thrive over the past decade, the biggest surprise is that Open Book remains unique in the country for what it offers.

There are centers for the literary arts (that focus on reading and writing), and there are centers for the book arts (that teach printing and book-binding). And in the years since Open Book opened, its three tenants - Milkweed Editions, the Loft Literary Centery, and the Minnesota Center for Book Arts - have fielded numerous inquiries from organizations seeking to bring the literary and book arts together under one roof in their own communities. Yet nothing has emerged from those initial conversations.

So what makes Open Book such a singular entity?

Milkweed Editions Editor Daniel Slager points to the then directors of the three non-profits who, more than a decade ago, realized together they could become something greater than the sum of their parts.

I think it's really a Minnesota story, in terms of the level of cooperation between the three organizations. I got a whiff of that when I first arrived [in 2005], but didn't really get it until a few years later. I feel such admiration for the visionaries who put this together in the first place.

Those three founders were Emilie Buchwald (Milkweed), Linda Myers (Loft) and Peggy Korsmo-Kennon (MCBA). While their vision was in part aspirational, it was also practical; they were facing increasing rents in their respective buildings, and wanted a permanent, sustainable home. Thus Open Book was born, located on a strip of Washington Avenue in Minneapolis that was known best for metrodome parking and the Liquor Depot.

Since the spring of 2000 a lot has changed both inside and outside the building.

Open Book is looked upon as a pioneer settler in what is now a cultural corridor, featuring the Guthrie Theater, the MacPhail Center for Music, the Mill City Museum, a farmers' market, several restaurants and upscale condominiums.

Open Book Board Chair Moira Turner says the vibrancy of the community is feeding right back into the health of Open Book:

The building is buzzing; ten thousand people a month come through the doors. I'm just amazed.

None of the three original founders remain, but the legacy of their work is evident. Loft Director Jocelyn Hale says what once seemed like an excessive amount of classroom space is now almost at capacity.

Working in this building is an absolute pleasure. And all the run-ins, the coincidences that happen because there's so much activity in this building - it's really enhanced our work.

Hale recently ran into Milkweed Editor Dan Slager in the hall, and started talking about the Loft's newsletter, which has been offering insights on the writing process for 35 years. Fast forward several months, and Milkweed is now working on publishing an anthology of "A View from the Loft."

Jeff Rathermel, Artistic Director of the Minnesota Center for Book Arts, says he's enjoyed having the freedom of letting his shows bleed out into communal spaces:

Something that I've been able to do over the past six years, is look at the building itself as an exhibition space - moving it out into the building in general - lobby, literary commons, there are many more opportunities for artists to present their work.

Rathermel says he's also thrilled to see other organizations adopt Open Book as their home base for meetings and events.

As for Milkweed's Dan Slager, he says by being based in Open Book, Mildweed Editions is able to have a direct relationship with the community and many of its readers - something few publishers have.

Yet for all its success, one key component has yet to fall into place for the center: a bookstore.

Over the years the space next to the coffee shop has been occupied by Rosalux Gallery and Ruminator Books, but nothing lasted. Daniel Slager says he's eager to see a place on the first floor where people can buy Milkweed's work. While past efforts have failed, Slager thinks now may be the time to try again:

My own take is that the book store was a little ahead of its time with the neighborhood. Our area has changed, we've changed. We have a new opportunity to engage with a growing community here, and to establish not just a traditional bookstore, but books in all sorts of formats. It would have to be something beautiful, in line with the aethetics of the three organizations, but also innovate and forward looking.

A bookstore was just one of the ideas discussed as part of a recently developed five year strategic plan to further "open" Open Book. Other plans debated - and approved - include removing a wall on the first floor so that the MCBA's gallery is visible as soon as a patron walks in the door, and installing more outlets to accomodate all the laptops people bring with them. And this fall the Loft Literary Center will offer its first online writing class, for people who can't afford to commute into the Twin Cities week after week.

Looking ahead to the next ten years, Slager thinks Open Book should work on raising its profile. While the individual non-profits have varying national reputations, the Open Book building does not. Considering its enduring singularity, and the community destination Open Book has created for book-lovers, it's time to spread the word.

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