State of the Arts

State of the Arts: November 14, 2012 Archive

The reviews are in for Children's Theatre's 'Grinch'

Posted at 10:18 AM on November 14, 2012 by Marianne Combs
Filed under: Criticism, Theater

Children's Theatre Company is ramping up the holiday fever for kids with its stage production of Dr. Seuss' classic tale How the Grinch Stole Christmas.

Critics enjoyed this show, with only minor complaints. Because, really, who wants to risk being called a 'grinch' so close to the holidays?

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Reed Sigmund is 'the Grinch'
Photo by Dan Norman

From Rohan Preston at the Star Tribune:

From the music, conducted by Denise Prosek and delivered with sweet cheer by the village-size cast, to the evocative design and well-considered and -executed scenes, the show is engaging and exciting. It has wide appeal to children and adults alike.


As the up-jumping, low-singing meanie, Sigmund gives the Grinch a vivid, palpable embodiment (we see just how palpable when he runs into the audience).

From Rob Hubbard at the Pioneer Press:

At an hour and a quarter, it works for the youngest,
And there's little to scare the most squeamish among us.
Director Peter Brosius has helmed quite a show.
It's a sweet slice of Seuss, so you really should go.

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The cast of "How the Grinch Stole Christmas" at Children's Theatre Company
Photo by Dan Norman

From Janet Preus at HowWasTheShow.com

As gorgeous as the set was, it left just barely enough room for the full cast of adults and children to execute simple choreography. However, it was plenty of room for the cleverly choreographed antics of the Grinch and young Max, played by an endearing Brandon Brooks... Denise Prosek directs a live pit orchestra, which I love to hear. There's no comparison with recorded.

From Ed Huyck at City Pages:

When you transfer a shortish picture book into a full-length musical, things need to be added. While most of the plot additions don't detract from the story, I'll admit to having a bit of a "Come on, let's steal some presents!" feeling about midway through the 75-minute show. The restlessness didn't last long, especially when coming face to face (well, face to hairy midsection) with the Grinch during the robbery scene. That certainly will shake any dark-theater cobwebs.

How the Grinch Stole Christmas runs through December 30 at the Children's Theatre Company in Minneapolis. Have you seen the show? What's your review?

A good night for Minnesotans at the National Book Awards

Posted at 9:52 PM on November 14, 2012 by Marianne Combs (1 Comments)
Filed under: Books, Poetry, Writing

Despite suffering severe damage to their offices from Hurricane Sandy, the National Book Awards went ahead tonight in Lower Manhattan.

And it was a great night for two Minnesota authors.

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Debut novelist William Alexander won the award for Young People's Literature for his book Goblin Secrets. Alexander teaches at the Minneapolis College of Art and Design and is a frequent contributor to Rain Taxi Review of Books.

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In the category of Fiction, Louise Erdrich won for her book The Round House, which was just published last month. Erdrich's work was up against works by Junot Díaz, Dave Eggers, Ben Fountain and Kevin Powers.

In accepting the award, Erdrich said, "I want to say to my fellow writers you have written extraordinary books. I don't know why I'm here, but I've been working at this for 100 years - not as long as Elmore Leanord (who was awarded the Medal for Distinguished Contribution to American Letters), but a long time."

"I would like to accept this in recognition of the grace and the endurance of native women," Erdrich continued. "This book is about a huge case of injustice; thank you for giving it wider audience."

MPR's The Daily Circuit interviewed Erdich in October.

In addition, Katherine Boo's book Behind the Beautiful Forevers: Life, Death, and Hope in a Mumbai Undercity won the non-fiction category, and David Ferry took home the award for poetry for Bewilderment: New Poems and Translations.

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