Posted at 10:01 AM on May 8, 2012
by Marianne Combs
Filed under: Criticism, Theater
In 1953, poet Langston Hughes was required to appear before the Committee on Un-American Activities to answer Sen. Joseph McCarthy's accusations on being a Communist.
"Are You Now or Have You Ever Been..." is playwright Carlyle Brown's imagining of Hughes' sleepless night before appearing in court, as he wrestles with how best to answer the panel.

Gavin Lawrence (Langston Hughes) in Carlyle Brown & Company's production of 'Are You Now or Have You Ever Been...'
Photo by Charissa Uemura
The play, produced by Carlyle Brown & Company and directed by Noel Raymond, has received strong reviews for its seamless merging of poetry and politics.
From Janet Preus at HowWasTheShow.com
The bulk of the play is a one-man show, with Gavin Lawrence as Hughes revealing many more things about himself and his writing life. But these are the context in which his poems are born, and the context that the Senate committee, late in the play, does not have the patience to hear. Lawrence is wonderfully engaging as the writer... Lawrence's performance of Hughes poems is reason enough to see this show. He really makes the poetry live!

Gavin Lawrence (Langston Hughes) in Carlyle Brown & Company's production of 'Are You Now or Have You Ever Been...'
Photo by Charissa Uemura
From Sophie Kerman at AisleSayTwinCities.com:
...Playwright Carlyle Brown's way of interweaving speculative musings, impassioned diatribes, and Hughes' poems themselves is so seamlessly done that the play itself is like poetry to watch...Are You Now... is a play that, like Hughes' poetry, opens many doors and refuses to close them or to give the audience too many obvious signposts. Themes circle back on themselves, expanding out or spiraling inward in new and unexpected ways.

The cast of Carlyle Brown & Company's production of Are You Now or Have You Ever Been...
Photo by Charissa Uemura
From Rohan Preston at the Star Tribune:
Playwright Brown, who also plays Hughes' lawyer at the hearing, infuses this one-act with Hughes' poetry. In fact, Lawrence often makes the poems sing, delivering them with such force and power that audiences interrupt the action with applause.Its intellectual heft is part of what's so compelling about "Are You Now." This is a play about the power of ideas and also the difficulty of pinning down the imagination.
From Renee Valois at the Pioneer Press:
My companion was so infuriated by the actions of the committee that he said he had to keep reminding himself these were actors. The McCarthy era was a dark one for America, and Brown's story shines some light on how it affected those victimized by the violent prejudice against "communists" - while also reflecting on attitudes toward race and art.
"Are You Now or Have You Ever Been..." runs through May 20 in the Dowling Studio of the Guthrie Theater.
Have you seen it? If so, share your review in the comments section.
Posted at 4:27 PM on May 8, 2012
by Marianne Combs
Filed under: Arts management, Music
The Minnesota Orchestra is laying off 13-percent of its permanent staff.
The orchestra announced today it's eliminating nine full time and seven part time positions which touch virtually every department, from finance and development to marketing and public relations.
The move is aimed at reducing a two-point-nine-million dollar deficit the orchestra announced last November. It will save the orchestra 450-thousand dollars a year.
No musicians were affected by the layoffs.
Orchestra officials say audience members won't notice the staff reductions. Job duties will be re-assigned to other staff members.
More as we know it...
Posted at 4:05 PM on May 8, 2012
by David Cazares
Filed under: Music
If the Twin Cities jazz scene were in one large building, Zacc Harris would be room-hopping.
In one room he's in a trio playing jazz standards. Down the hall, he's in the band Vital Organ, a classic jazz combination of guitar, drums and the Hammond b3.
On another floor, Harris jams with the Atlantis Quartet, a sharp ensemble that includes saxophonist Brandon Wozniak, Chris Bates on bass and Pete Hennig on drums.
Add pianist Bryan Nichols to the mix with J.T. Bates on drums and the band opens another room as the Zacc Harris Group.
Anyone who catches all these groups on stage shouldn't be surprised to see interchangeable parts. The musicians thrive, Harris said, on a collective approach that is intricate, vibrant, and improvisational.
"I think that's what makes a group sound good is a cohesion between the players but [also] a certain amount of juxtaposition between their styles and what they have to say on a particular tune," he said.
That dynamic has paid dividends for Harris, a California native who came to Minneapolis from Southern Illinois seven years ago.
Since then, he's been a key part of an emerging Twin Cities sound, fused from tradition and modern exploration.
Once a player who sought to emulate great artists like Wes Montgomery and Pat Martino, Harris now has a distinct voice -- even if you can still hear those influences.
"I want to sound like me now," he said.
He's also grown with his band mates. In the three years since he set out to record an album with the Zacc Harris group, they've learned to read each other on stage.

Their individual and collective maturity shines on The Garden, the band's new recording.
"There needed to be a process of growth together where I understood them, they understood me, we understood the tunes together."
The album's 10 tracks include nine originals that came to Harris as he was going about daily life. The melody for The Garden came to him in his yard.
Others are based on chord structures that provide roots for eventual melodies. The songs reflect - and sound - like the world around him.
"I'm a huge fan of the soundtrack idea....putting together something that flows in a natural thing where somebody can kind of get lost for 65 minutes ... just sitting back and listening is important."
The Zacc Harris Group will celebrate the new CD Friday and Saturday at St. Paul's Artists Quarter. On stage, a musical conversation between friends will reflect a modern vision.
For a longer take on Zacc Harris, look here.
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