Posted at 7:53 AM on July 21, 2011
by Chris Roberts
Filed under: Art Hounds
(© 2011 Bonnie Fournier, The Smooch! Project)
The hounds put their stamp of approval on a piece of theater which requires audiences to solve puzzles in order to proceed to the next scene, a not-yet-completed documentary about the art and act of forgiveness, and a darkly comedic existential drama.
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Poet and comedian Brian Beatty was pleasantly surprised when the local theatre troupe The Peanut Butter Factory brought "Oh the Humanity And Other Good Intentions" to Intermedia Arts. It's a play by absurdist American playwright Will Eno, whose work is rarely staged in the Twin Cities. It runs through this Sunday, July 24th.
Want to be in a documentary about forgiveness by award-winning filmmaker Dawn Mikkelson? Fellow documentarian Justin Schell suggests you head over to the Midtown Global Market in Minneapolis, Saturday and Sunday (7/23-7/24) to tell your story. Mikkelson's doc is called "Smooch," inspired by artist Bonnie Fournier's "The Smooch Project," in which Fournier's trying to collect ten-thousand photographs of someone kissing someone else on the cheek.
If you love puzzles and plays about industrial espionage in post-industrial settings, Michael Merriam has the perfect recommendation. Walking Shadow Theatre Company's "Saboteur: A Theatrical Game with Puzzles," asks audience members to solve puzzles in order to watch the play unfold. It's being presented at Universal Hydro Solutions, 2010 East Hennepin Avenue in Minneapolis, through Aug. 3. Seating is very limited.
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Posted at 2:38 PM on July 21, 2011
by Marianne Combs
Filed under: Architecture, Arts around the state, We Art Minnesota
Today's nomination is for a family farm built in the 1940s in the Bloomington area, but like many family farms, was removed to make way for a housing development.

All images courtesy Gordon Frederickson
Gordon Frederickson has this nomination for his family's farm:
I like the architecture in Minnesota that came from the needs of regular people who built things quickly to survive. Maybe it's the difference between "great architecture in Minnesota" designed by architects and "great Minnesota architecture" built by regular people.Attached are my submissions for your request of Minnesota Architecture. The pictures were taken by my wife, Nancy, and are of my parents' barn and silo. The barn was built from used lumber that came from buildings torn down in the Bloomington area about 1940. Field stones were used for part of the basement built on to a wall of stone left from an old horse barn built into the hillside about 1900. The rafters extended to the basement wall giving the barn no wooden sides. The cows were kept in the basement and they could walk out onto ground level on the south end of the barn. The barn was nice and cozy in the winter because the north and west walls were built into the hillside. The silo was built without a roof because it was cheaper.

The barn was not designed by an architect but by my grandfather, William Fredrickson, who had built several houses in Elko, MN and one on his nearby farm. I think the design of the barn was influenced by whatever used lumber was available. My uncle, Ted Cervenka, was the main carpenter and my father, Gordon H. Fredrickson worked on it too. Dad and I built the silo room addition on the south side from scrap lumber about 1958.Like so many of these structures across rural Minnesota, these are no longer standing. The farm was too small and the buildings not valuable enough to be preserved so everything was removed to make way for a housing development. But I have preserved this great Minnesota architecture heritage through my published books of a farm family in 1950 on a farm that looks very much like this farm that I grew up on.

Many thanks to Gordon Frederickson for his nomination, and for pointing out the beauty of architecture that serves its purpose well.
Have a building you'd like to nominate for our Celebrating Minnesota Architecture series? Send a photo or two along with an explanation of why you're nominating it, to mcombs@mpr.org.
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