State of the Arts

State of the Arts: April 13, 2011 Archive

Wednesday news and reviews

Posted at 8:36 AM on April 13, 2011 by Marianne Combs
Filed under: News and reviews


Art

'Sweat Stains, Beer, and Cigarettes' closes soon
On the right night, the dive bar band scene can be an exciting one. The current exhibition at Steven's Square Center for the Arts is a tribute to just that: "bar culture, tobacco-stained walls, and sweaty, dirty, rock 'n' roll."
- Coco Mault, City Pages

Erin Currie: 100 Creatives
Toymaker, artist, and clothing designer Erin Currie is perhaps best known for her Curster series, a line of vinyl gnomes, beasties, and bunnies with wide eyes and mischievous facial expressions.
- Jessica Armbruster


Books

A conversation with Peg Meier, author of Through No Fault of My Own
Once again, Peg Meier (author of Bring Warm Clothes and other treats) has taken the simplest every-day item - a young girl's diary - and presented it to her readers in a way that makes everyone appreciate it.
- Linda White, Examiner.com


Dance


An uneasy meeting of West and East
James Sewell Ballet and the Schubert Club attempt a "Fusion" of classical traditions.
- CAROLINE PALMER , Star Tribune


General

'Hanna' and the rise of the new auteur
- Max Sparber, MinnPost.com


Movies

Film-fest website crash causes some headaches
Two days before festival begins, MSPIFF schedule pages are back up, but online ticketing is problematic.
- COLIN COVERT, Star Tribune

Minneapolis/St. Paul FILM FESTIVAL Here are some of the highlights in the first week.
The Minneapolis/St. Paul Film Festival is getting started with a bang. Over the course of three weeks, the fest features about 170 films, one of the best of which is being shown on the very first night.
- Chris Hewitt, Pioneer Press

MSPIFF 2011: Bigger and better than ever
Now in its fourth year at the St. Anthony Main Theaters, MSPIFF has really exploded this year and holds much promise.
- Jim Brunzell III, TC Daily Planet

MSPIFF 2011: What to see
With around 230 films there are definitely some to avoid like the stench of sour milk, and people are bound to be confused with certain titles.
- Jim Brunzell III, TC Daily Planet


Music

Plant delivers rootsy Americana
REVIEW: The rock icon showed himself an adventurous performer, whether recasting hits or delving into the soul.
- JON BREAM , Star Tribune

The young and the relentless
Tweens are driven to be pop stars, but challenges, dangers exist.
- JON BREAM , Star Tribune

Cut Copy at First Avenue: 2011's show to beat
The Australian synthpop outfit have played in a bigger venue each time they've visited the Twin Cities, and they were recently named as one of the top acts at this summer's Pitchfork Music Festival.
- Bobby Kahn, TC Daily Planet

Trying to fit her 'Red High Heels'
Kellie Pickler is more than a corny country cutup. She just hasn't been able to capture it on record yet.
- JON BREAM , Star Tribune

Dessa and Lazerbeak talk about the non-music side of Doomtree
Not only are they one of the metro's indie-rap heavyweights, they are also a record label, book publisher, and producers of various multi-media. The collective has grown from Hopkins high school alumni trading beats to an ambitious, critically lauded crew with seven distinct voices and one unifying cause.
- Loren Green, City Pages

Record Store Day 2011: Vinyl lovers' paradise
Twin Cities prepares for busiest RSD yet
- Andrea Swensson, City Pages


Stage

Frank revisits 'Cabaret' for a benefit concert, with updated location
Sometimes, as much as everyone involved would like it to be different, the show can't go on.
- Ed Huyck, City Pages

Next Fall at Jungle Theater
An exploration of a gay couple's thorny differences
- Ed Huyck, City Pages

The reviews are in for "Next Fall"

Posted at 3:23 PM on April 13, 2011 by Marianne Combs
Filed under: Criticism, Theater

NextFall1.jpg
Garry Geiken as Adam and Neal Skoy as Luke in "Next Fall" at the Jungle Theater
All photos by Michal Daniel

Next Fall tells the story of a gay couple divided by faith. Adam is an atheist and out, Luke is Christian and closeted. When Luke is injured critically in an accident, Adam and his family gather at the hospital. According to The Jungle Theater "NEXT FALL takes a funny and provocative look at what it means to "believe", and what it may cost us not to."

Thinking about seeing the show? Check out these varying reviews from Twin Cities theater critics... then make up your own mind.

From Janet Preus at HowWasTheShow.com:

Just letting the underlying tension inherent in this set-up play out would be enough dramatic action for one play, but instead the playwright seemed compelled to cover everything of significance since Adam and Luke first met--in the style of a TV sitcom: set up the joke, deliver the laugh line, repeat a few times and go to a commercial (in this case, a scene change). Unfortunately, this style kept the characters from truly engaging with each other until well into the play--the second act, in fact---as if the story wanted to go there but couldn't because they had to play the laughs...

...This production, however, has some powerfully redeeming qualities. Yoakam's portrayal of Butch would be at the top of the list. Butch's staunch denial of what he must know about his son, and the stoic love that finally overpowers him at the end, fires this play from beginning to end. This is a character that we can truly care about. At the final, terrible and enormously satisfying moment, Geiken's Adam comes through for Butch, but strangely he still hangs on to that detached persona...

...Pistner created a charming Arlene out of the character's serious foibles. The scene in the hospital "chapel" as she comes to terms with the play's final reality is truly beautiful, though I can't imagine any mother leaving her child's side at that moment. And one couldn't help but be taken with Skoy's affable Luke; who wouldn't care about such a sweet and likeable guy?

Which is why, I think, the play has appeal. We really do care about what happens to this young man, and because he loves the other characters, we come to care about them, too.

NextFall3.jpg
Sasha Andreev as Brandon, Garry Geiken as Adam and Andrea Leap as Holly in The Jungle Theater production of "Next Fall"

From Rob Hubbard at Pioneer Press:

...This comedy of ideas doesn't dwell in heady high-concept philosophical arguments. Its characters are flawed individuals who fall into believable discussions about the place of faith and love in their lives. The framing device is a hospital waiting room vigil, where Luke is comatose after being hit by a car. His parents, partner and friends will soon confront the "next of kin" conflicts that arise in places where gay relationships aren't recognized. But the story plays out primarily in flashback, as we watch Adam and Luke meet, fall in love, move in together and periodically wrestle with their religious differences.

Thanks to convincing portrayals by Garry Geiken and Neal Skoy, this odd couple proves engaging company, tossing clever bon mots at one another and dealing with situations such as an unexpected visit from Luke's fundamentalist father (which inspires a rapid-fire "de-gaying" of their apartment).

In a role that could have been a caricature, Stephen Yoakam instead makes the father a complex man who may or may not understand his son's sexual identity. Meanwhile, Luke's mother seems designed to be the chief source of comic relief, but Maggie Bearmon Pistner lends this southern eccentric enough vulnerability and sadness to invite our sympathy.

The play has some shortcomings that director Joel Sass and the cast can't quite transcend -- there are avoidance issues not only in the characters, but also seemingly the playwright -- and the performances of Andrea Leap and Sasha Andreev don't gibe well with the naturalism of the other four, she too over the top, he too icy. But it's an engaging, discussion-provoking play that gives you plenty for your head and might break your heart.


NextFall2.jpg
Garry Geiken as Adam and Maggie Bearmon Pistner as Arlene in The Jungle Theater production of Next Fall

From Ed Huyck at City Pages:

...Sometimes the script does let them down--using a closet packed with the relationship's debris while Luke tries to "de-gay" the apartment in advance of his father's visit is just a bit too on point--but the performers work through these hitches and give us a real relationship.

Nauffts is more successful exploring the anxiety and grief felt by all the characters as they wait by Luke's side for a sign of recovery or, as it becomes clearer throughout the play, for the end. The stress on the other five characters is obvious, and how they react to it helps to give them extra depth. Interestingly, all of them are able to call on some faith, lapsed or not, to aid them--except for Adam, who is left alone in his pure skepticism.

The balance of the cast puts in solid performances, especially Stephen Yoakam as patriarch Butch, who knows much more about his son's "lifestyle" than he is letting on. The simmering conflict between him and Adam provides the strongest undercurrent and also gives us the evening's most surprising and touching moment.

The script moves with great energy and efficiency--it's much like a situation comedy, without the happy ending--and director Joel Sass never lets that wane, be it in the comedic set pieces, the fight, or the long night waiting for the final news.


NextFall4.jpg
Garry Geiken as Adam and Neal Skoy as Luke in "Next Fall" at the Jungle Theater


From Graydon Royce, at Star Tribune:

...Nauffts' play and Sass' production share a glib facility. Neil Skoy's bright and cheery Luke explains to Adam that he's a fundamentalist Christian, waiting for the Rapture. He prays for forgiveness after they have sex, explaining that he's just like any other Christian asking for absolution after a lusty day of sinning. What's more, Luke begs Adam to accept Jesus so they will live together in eternity.

Leaving aside Nauffts' naive theology, this gambit exists not to resolve itself but as a straw man preventing Luke from telling Butch about Adam.

Skoy, a fine young actor, never convinces us that Luke really believes in his fundamentalist ideology. Nauffts has shorted both religion and Luke's sexual identity with this implausibility. This is a guy who should be on an analyst's couch.

Nauffts pulls punches whenever such complexity arises, so that his characters can pose for more one-liners. Garry Geiken's Adam is lightweight, lacking droll insight or believable likability. Stephen Yoakam does better with the straightforward Butch. Sasha Andreev plays a self-loathing gay friend with white-knuckled gravitas. Maggie Bearmon Pistner has just the right affect for Luke's mother, Arlene, but her work is aware of itself. Andrea Leap's Holly -- a friend of Adam's and Luke's -- is all gesture and mugs.

Sass' production has the lacquer of small-screen cinema, again perhaps appropriately, but this seems to play right into Nauffts' trap. There has to be a better way.

"Next Fall" runs through May 22 at the Jungle Theater. Have you seen the show? If so, what did you think? Share your review in the comments section.

MSPIFF does the numbers

Posted at 12:18 PM on April 13, 2011 by Euan Kerr
Filed under: Film, People, Storytelling

20090911_lastryan.jpg Ryan Oestreich looked remarkably calm the other day, nestled behind his desk in the corner of the Minneapolis St Paul International Film Festival. He's the festival co-ordinator, and for the moment he's a happy guy.

A huge board festooned with Post-it notes hung nearby. It's the festival schedule, and a very full schedule at that.

"Two hundred and forty, 250 films," Oestreich said. "Last year we were at 170, so this is a big jump. A really big jump. But we have three weeks."

There are flicks coming in from all over the world, and Oestrich points out that almost all of them will get two screenings, and some three. When asked about possible strategies for wading through the offerings he suggests going with what you love, to see where it takes you, at least on the MSPIFF schedule.

"Basically find a film that you like," he said, "And search by like a title, or a director, or a theme that fits that."

He also suggests checking out movies where the people involved will be there to present their work.

"We have not a few, but 40 to 60 film makers," he said. "Lots, I think 20 to 25, just Minnesota film makers."
When asked why he looks so remarkably calm, he launches into a discussion of what he calls 'the festival high.' He says he only usually notices it when it's gone.

"You only know you have it, when you don't have it," he said. "So two days after the festival you realize you are not feeling as much stimulation, you're just kind of like, moping around. And you think to yourself 'why is this happening?' And you realize 'Oh, it's because I'm not stressed out, I'm not seeing a million movies, and I'm not running around trying to schedule all these things. And that's because of the festival, and it's very strange."

Oestreich describes it as an unquantified fact about film festivals. He smiles and sits back in his seat. We'll have to check in with him in a few days, after tomorrow nights opening festivities if he still doesn't know if he has it.

April 2011
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