State of the Arts

State of the Arts: April 19, 2010 Archive

Minnesota Poetry: Jude Nutter's "The Ledger"

Posted at 12:02 PM on April 19, 2010 by Marianne Combs
Filed under: Minnesota Poets, Poetry

Jude Nutter took home the Minnesota Book Award for poetry this weekend with her collection "I Wish I Had A Heart Like Yours, Walt Whitman" in which she revises Whitman's civil war poems using contemporary and female perspectives. Nutter was born North Yorkshire, England, and grew up in northern Germany. She has been living and working in Minneapolis since 1998. Here's a poem from her award winning collection, called "The Ledger."


THE LEDGER

Imagine if everything the Buddha claimed is true and all
things external are illusions. But who wants a world,
illusion or not, in which a witness can sit all day
on the banks of the Kagera watching bodies

from the war in Rwanda coming over the falls
and then later describe how they never once appeared
to be really dead: they looked, he said, like swimmers
because strong currents invested them with the power

of movement. The past might be over
but it's never done with. Leave them in peace,
said Stalin of his favourite scientists who were lost
in projects important to the state; we can kill them

later. History: a ledger of atrocities. Remember
those who never ceased trying
to undermine the rhetoric of governments: Goya
at the end of his life--deaf and lonely but still

bearing witness, painting directly onto the walls
of his country house outside Madrid. It is said
that after Goya there were no more innocent rifles in art,
no more sticks uttering puffs of smoke and fire. Remember

Ed Murrow, live from Buchenwald after liberation.
For most of it, he said, I have no words. For most of it.

Not all of it. Murder, he said, rags and remnants.
I looked out, he said, over the mass of men to the green
fields beyond
. A ledger of atrocities. Another hostage, another
smart bomb gone astray in the market; collateral

damage and acceptable losses and somewhere one more child
dead before it can be named; and for millions, home
the place they are homesick for, even as they live there.

Here and there, the ragings of art: a ledger of atrocities. History.


- "The Ledger" by Jude Nutter, as published in her collection I Wish I Had a Heart Like Yours, Walt Whitman, published by University of Notre Dame Press.

Oliver Herring: TASK oriented

Posted at 3:42 PM on April 19, 2010 by Marianne Combs
Filed under: Education

Herring.jpg
One of Oliver Herring's "photo sculptures"

Oliver Herring has no end of creativity. His works range from life-sized sculptures of people made out of hundreds of photographs, to abstract object knit
from mylar, to portraits of strangers spitting up food coloring on their face in a spray, until their eyes peer out from what looks like a Jackson Pollock painting.

But for the last several years Herring's art has taken a back seat while he travels the United States, teaching other people to be more creative.

This week Herring is in the Twin Cities for a collaboration between Bethel University and the Minneapolis College of Art and Design. As part of his stay, he's helping lead a "TASK party."

Herring describes "TASK" as a sort of creative platform that's unusually open ended, positive and inviting. It involves a space, lots of different materials, and a group of people who commit themselves to very simple rules

1. Write a task, depost it in a box.
2. Pull another task out of the box, and complete it.
3. Repeat step one (and so forth).

Herring, who created this "game" in response to a desire he saw in people to participate in his art projects, says it releases untapped creativity.

You experience a level of freedom that you probably abandoned when you were a kid. There's just a really unselfconscious playfulness that permeates everything during TASK. Everything becomes possible, it's very hopeful. You let yourself go and you play again. And I think a lot of people have stopped doing that since they were kids.

Herring says one of the most freeing factors is that there's no expectation of failure or success, and there's no judging the quality of your work. He says the written task becomes a sort of "permission slip" that lets you go places you otherwise wouldn't.

There have been thousands and thousands of tasks, from as mundane as "stand on your leg" to "start a revolution" or "marry the person on your right." "Call your mother and tell her what you did today," "build a fortress," or "write a letter about something really important in your life and post it." Actually at the end when we collect the tasks it presents a real window into the needs and hopes and wants of the community.

TASK has taken off on campus universities over the past few years. It's being used as a creative tool as well as a way for new students to get to know each other. And Herring says TASK is not just for artistic novices; he finds it can be helpful tool for artists, including himself.

I fall into patterns, and do simply what I need to do. From what I've observed, TASK is extremely helpful and useful for artists. It allows you to experiment with new materials in a much less self-conscious way.

Herring admits the name "TASK" might be a bit of a put-off, because it sounds so much like work, but if it's a success, people come away feeling as though they've been playing, and have also been productive. Herring says you might think there are plenty of creative outlets already out there, but there really aren't.

Even if you go to a museum or gallery, you're actually following a linear path, how the exhibition was created. It's a pretty limited experience. I mean I love museums don't get me wrong, but there has to be more. And while there's a lot of work out there that's interactive I think there's also a perception out there that's fed by the art world, that art is an elitist kind of thing for a small group of people, when in fact it shouldn't be. And so I think these open-ended, idiosyncratic, non-linear experiences are really unusual, helpful and necessary. At the very least it's a ton of fun.

Tomorrow MCAD will be hosting a TASK party from 7-10pm. Meanwhile Bethel University is showing an exhibition of Herring's work in its Olson Gallery through May 30. There's an opening reception for the exhibition tonight, starting at 5pm, and featuring live performance art.

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This activity is made possible in part by the Minnesota Legacy Amendment's Arts & Cultural Heritage Fund