Posted at 7:23 AM on November 12, 2009
by Marianne Combs
(6 Comments)
Filed under: Art Hounds

Corner House, 2008 by Rod Massey
The 'hounds' track down a painter who's always a brush stroke away from the streets of South Minneapolis, a choreographer who's making a rare return to the stage as a dancer and a St. Paul punk band that values precision as much as volume.
(Want to be an art hound? Sign up!)
Stuart Klipper is a Minneapolis photographer and two time Guggenheim Fellow who's deeply moved by the paintings of fellow Minneapolitan Rod Massey. Stuart says Massey's pulsing, animated oil on panel depictions of the homes, buildings, and streetscapes of South Minneapolis show us how we live. Massey has an exhibition of new work on display at the Groveland Gallery in Minneapolis through Nov. 28.
Kim Motes is Managing Director of Theatre Latte Da. Kim also used to head up the Minnesota Shubert Center for Dance. Kim says this weekend audiences will have a rare opportunity to see choreographer Mathew Janczewski return to the stage as as perfomer. Janczewski's company, "Arena Dances," is holding its November concert, "Short Fall," at the Lab Theater in Minneapolis nov. 12th through the 15th.
Sean McPherson plays bass for the St. Paul hip hop group Heiruspecs. Sean also works for the Hip Hop Diploma program at McNally Smith College of Music. Sean was recently mezmorized by the unrelenting punk rock of The Blind Shake. Your next chance to see The Blind Shake unleash its raw yet ridiculously precise musical torrent is Wednesday, Nov. 18th at the Turf Club in St. Paul.
MIZNA, a forum for Arab American art, runs a literary journal, hosts a film festival, and brings touring musicians to the Twin Cities. Art hound Katie Ka Vang says she plans to go this Sunday to MIZNA's Ten Year Anniversary Celebration at The Depot in Minneapolis.
If you're in the Winona area this weekend, art hound Deanne Mohr recommends checking out theMinnesota Marine Art Museum. There are two exhibitions in particular that Mohr recommends; "Chased by the Light," a selection of Jim Brandenburg's photographs (which is up through Sunday) and Grand Marais artist Betsy Bowen's woodcuts, on display through January 16.
Posted at 3:21 PM on November 12, 2009
by Marianne Combs
(2 Comments)
Filed under: Theater

Brave New Workshop has converted its stage lights to LEDs, which has helped to cut its electric bill by 73%.
Brave New Workshop Comedy Theatre might not seem like the most likely company to actively embrace environmentalism - its shows tend to mock earnest, do-gooders (along with everyone else). But the theater's last production "Brave New Workshop Saves the Planet!" appears to have left its mark on the staff.
BNW's Vice President of Client Services Elena Imaretska is the force behind a lot of recent changes at the theater that are part of an ongoing effort to reduce its carbon footprint. These changes range from simple ones- improving signage on recycling bins - to some significant accomplishments. Imaretska says it's the natural outgrowth of BNW's own corporate approach to "sustainability."
I think everybody should be green, I don't think we have a choice anymore. We need to be responsible as an organization or we'll disengage our audiences.
Just last month BNW converted its stage lights to LEDs. LEDs can change colors, so the company was able to cut back on the number of stage lights hanging in the theater. That, combined with converting all other lights in the building to either LEDs or compact fluorescent bulbs has cut its electricity use by 73%.

How much money did BNW have to put down for its new, high-tech stage lights? Not a penny. They were paid for in part through a grant from the Minnesota Center for Energy and Environment, and through a loan offered jointly by the MCEE and Excel Energy. BNW will pay back the loan over the next two years by continuing to pay its electric bills at their previous, higher rate. So the installation of the lights cost nothing in the short-term, and will save money in the longterm.
Other changes include converting to 100% post consumer recycled paper, reducing the amount of paper used in mailings, programs, and in the office, and eliminating paper and plastic cups at the theater bar.
On opening nights BNW offers pizza to its patrons. Now, for $20, the city of Minneapolis provides a compost bin to the theater at the beginning of the evening, and picks it up at the end. All the waste generated in the course of the evening - pizza boxes, paper plates, napkins - is thrown into the bin and composted.

In addition to changing its own behavior, BNW is encouraging its patrons to make changes, too. The company has installed bike racks in front of the building, and ticketholders who present a bus pass or a bike helmet at the bar are treated to a free drink.
Imaretska says the company hasn't been able to do everything it would like to reduce its carbon footprint (such as install a more efficient heating/cooling system), in part because it doesn't own the building in which it lives. But it has been able to do quite a bit for much less money than it anticipated. Brave New Workshop offered its improv training and exercises to the University of Minnesota's Design school, and in return, the design school's Greenlight initiative looked at the theater's space and offered some short-, mid-, and long-term solutions. Such a consultation would have normally cost thousands of dollars.
Brave New Workshop is now working to share what its learned with other theater companies. Along with a few other interested parties, it's created the Twin Cities Sustainable Theaters (it's still in the very nascent stages, and so at the moment is just a LinkedIn group). The group meets next in December.
Lest you might think BNW is now going to preach environmentalism from the stage, not to worry. It's latest production "Brett Favre's Christmas Spectacular: the Immaculate Interception" is far more concerned with 'purple' than 'green.'
Posted at 2:33 PM on November 12, 2009
by Euan Kerr
(0 Comments)
Filed under: Film, People, Video

It was a strange night at the Mall of America last evening. "Twilight Saga:New Moon" fans filled the rotunda for the appearance by Edi Gathegi and Jamie Campbell Bower. Meanwhile upstairs in the movie theater a wondrous collection of pumped-up Boondock Saints fans were howling at the arrival of director Troy Duffy and star Sean Patrick Flanery (pictured above.)
Duffy and Flanery came to introduce "Boondock Saints 2: All Saints Day," and to grow the legend of one of the stranger film stories in recent years.
In case you missed it, here's the thumbnail: in the late 1990's Troy Duffy became a Hollywood hot property because of his "Boondock" script. The story of a pair of gun-toting Irish vigilantes blasting Boston baddies seemed ideal for studios eager to build on the success of "Pulp Fiction." He got a huge advance from Miramax, a budget for his film which he was also to direct.
Then things went south real fast.
Duffy alienated Miramax with his behavior, and the studio pulled out. He also had agreed to let some friends make a film of his experience in the Hollywood limelight, and when things went bad it got captured on film. The resulting documentary "Overnight" portrayed Duffy as an egomaniacal bully. Duffy made his film on half the budget he's had from Miramax, but then found in post-Columbine days no distribution company would touch a movie about a pair of black coat clad guys shooting people. The film opened briefly on a handful of screens, got ripped by critics, and that appeared to be that.
However as Duffy and Flanery told the MOA crowd, that's when the Boondock fanbase began kicking in. As the film appeared in video stores it began to attract fans who made sure their friends all saw it. Then they in turn turned on their friends. Official estimates say about $50 million worth of discs have sold over the years since. Duffy and Flanery toss around much larger numbers than that.
Now after a decade, and lawsuits, and a lot of other strange stuff the Boondock Saints are back, and judging by the reception the movie got from the Minnesota crowd it's not a moment too soon.
The Troy Duffy who appeared in the movie theater was not a monster. In fact, while he does delight in the use of expletives, he was thoughtful, and even charming in a blunt kind of way. Flanery was also clearly having a ball, and described making Boondock 2 as the best experience he ever had making a film, with Boondock 1 being the second.
"It was like they gave a bunch of blue collar dudes the keys to Hollywood," he proclaimed at one point.
After the q and a and a signing where the Boondocks posed for dozens of pictures, they sat down with me for a long chat. We'll air some of it tomorrow evening.
As they left, I mentioned the Twilight Saga folks were there too.
"So who would win in a fight?" I had to ask. "The Boondock Saints or the vampires and the werewolves?"
Sean Patrick Flanery smiled back and said, "I could take five of them myself."
| November 2009 | ||||||
|---|---|---|---|---|---|---|
| S | M | T | W | T | F | S |
| 1 | 2 | 3 | 4 | 5 | 6 | 7 |
| 8 | 9 | 10 | 11 | 12 | 13 | 14 |
| 15 | 16 | 17 | 18 | 19 | 20 | 21 |
| 22 | 23 | 24 | 25 | 26 | 27 | 28 |
| 29 | 30 | |||||