State of the Arts

State of the Arts: October 30, 2009 Archive

Birth of a star is just one the reasons to see "An Education"

Posted at 11:28 AM on October 30, 2009 by Euan Kerr (0 Comments)
Filed under: Film


In "An Education" Carey Mulligan plays a girl who longs for a life of sophistication, and then has second thoughts when she gets it. (Images courtesy Sony Pictures Classics)

Carey Mulligan stars as Jenny, a bright teenager who, in the London of 1961, is tantalized by the world just beyond her grasp.

She is immersed in taking classes to prepare her for the Oxford entrance exams, but still finds time to lie on the floor of her bedroom listening to Juliette Greco, and dreaming of a sophisticated life far from her overbearing father (played with perfect pomposity by Alfred Molina.)

Her dreams apparently come true one day when she meets David (Peter Sarsgaard), a man almost twice her age. He takes her to concerts after having charmed her parents, and introduces her to nightclubs, and a life of excitement which Jenny finds increasingly hard to leave to return to her studies.

Of course David is too good to be true, leaving Jenny with some difficult decisions. Her education in the university of life is both eye=-opening and chastening.

Director Lone Scherfig uses the Nick Hornby script, and a cast which also includes Dominic Cooper, Emma Thompson, and Sally Hawkins to great effect.

While the world of the film may be inhabited by sultry songstresses like Juliette Greco, it is also the Britain which was still recovering from the horrors and hardships of World War II, mixed with the growing realization that the Empire was gone, and the pressure of post-colonial responsibilities are growing. Scherfig gives Jenny glimpses of that new reality, and maybe even some 21st century viewers too.

It is however Mulligan who shines, taking her character from a state of naive self-confidence, through a series of switches and false starts to that of a wiser, worldly young woman. This is Mulligan's first starring role, but will surely not be her last.

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Arts 101: Theater company vs. theater building

Posted at 12:16 PM on October 30, 2009 by Marianne Combs (0 Comments)
Filed under: Arts 101, Theater

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Theatre de la Jeune Lune had its own theater, and rented it out to other theaters to perform in. Now two of the performers from Jeune Lune (Steve Epp and Dominique Serrand, shown above) are starting a new theater company, and are performing in other people's theaters. Confused? Read on...

I was trawling through Facebook the other day when I stumbled across a thread that caught my eye. A couple of theater professionals were bemoaning the confusion that often arises when a small theater company performs in somebody else's building.
For example, the Guthrie Theater is a professional company with a national reputation for its work. But the building it works out of has three stages, and it often allows other, smaller companies to perform in its space. So a theater-goer who's not paying attention might see a show that was put on by Penumbra, or Theater Mu, or Frank Theater, and come away thinking they had just seen a "Guthrie production."

At the least it means the performing company doesn't get word-of-mouth credit for its work, and loses some potential marketing. But sometimes it can mean the wrong theater company gets a donation at the end of the year. Christopher Kidder, the director of the annual "Klingon Christmas Carol," said he knows of at least one person who gave $100 to Mixed Blood Theatre Company by accident, after having seen his production there.

While the confusion between a theater company and a theater building can frustrate some professionals, others have been known to use it to their advantage. Kidder (and others on his Facebook thread) had heard of at least a couple of instances in which an actor claimed "I've got the lead in a Guthrie play!" In truth, they are performing in a much smaller theater company's production - it just happens to be on a Guthrie stage.

So what to do? The root of the problem is that both the buildings and the companies are called "theaters," and I don't see that changing anytime soon. The best that anyone can ask for is that audience members take a moment to make sure they know the name of the theater company they're seeing, not just the name of the building they're in.

(And if a friend tells you they got the lead in a Guthrie play, you might want to do some fact-checking... )

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Teens honor Day of the Dead at the MIA

Posted at 4:45 PM on October 30, 2009 by Marianne Combs (0 Comments)
Filed under: Culture, Museums

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Olga Guzmán checks out her ofrenda hanging at the MIA
Photo by Amanda Hankerson

Last night the Minneapolis Institute of Arts was filled with Latino-American families, there to see and celebrate the artwork of their children. The first floor gallery area and nearby social room was overflowing with little kids working on art projects, girlfriends and boyfriends chowing down on pork and chicken tamales, and parents taking pictures of their children next to their "ofrendas" or offerings, made in honor of Day of the Dead.

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Olga's ofrenda. Photo by Dan Dennehy

Olga Guzmán hasn't lost anyone close to her, so she made a more traditional ofrenda,
depicting skeletons dancing, singing and sharing a meal. This is her second year making an ofrenda at the MIA, and she really likes it.

"I'm really busy - working, going to school, writing papers - and I don't get a chance to be creative with art. So I really love when a chance like this comes along because I feel my creative side can come out."


All of the ofrendas were created in crates, used to symbolize the migrant workers who came to the United States looking to support their families.

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José Miguel Guerrero stands next to his ofrenda.
Photo by Amanda Hankerson

The teens are all students of El Colegio magnet school in Minneapolis. As part of the process, they were given video cameras (provided by Best Buy) with which to document their projects, and talk about their work. Administrative Director David Greenberg says he's thrilled with the project and what it offers his students.

It's really a good deal for our students to see their work in one of the most important museums in the region, to know that their work, thoughts and experiences are valued and important. To just see them do those video blogs, and talk into the camera about their work and their lives, knowing that people are going to see that and care about it and respond to it...it just makes them reflect on who they are and know themselves better.

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Tameka Boyce at the MIA reception with her parents.
Photo by Amanda Hankerson

18-year old Tameka Boyce chose to use her ofrenda to honor her grandmother, who died in 2004. The crate is filled with pink, her grandmother's favorite color, a poem she wrote and candles with the names of different family members. Boyce says she learned a lot, both about art and about video, in the process.

"It's great! It's surprising that my artwork's in the MIA. I can brag about it, it's very cool, my family's very interested and proud of me and so I like it."

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Domini Guzmán with his ofrenda. Photo by Amanda Hankerson

MIA curator Joe Horse Capture organized the Young People's Ofrenda exhibition and he thinks the project has managed to accomplish a lot for everyone involved.

This is a type of artwork that normally our audience doesn't see. And so I think it's important, because we're an encyclopedic museum, for them to be exposed to that. Also this [Latino] community is really important to our larger community - and we'd like to see more of them here at the museum.


These small ofrendas are very powerful. You know this project has been successful when a parent comes to you and shakes your hand with tears in their eyes thanking you for creating this opportunity for their child because it has meant so much to them.

Young People's Ofrenda runs through November 15 at the Minneapolis Institute of Arts.

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Dan Graham on Bob Dylan's heart

Posted at 2:30 PM on October 30, 2009 by Marianne Combs (0 Comments)
Filed under: Music, People

A new exhibit at the Walker Art Center in Minneapolis traces the career of Dan Graham. "Dan Graham: Beyond" includes examples of Graham's magazine pieces, films, sculptures and live performances that go all the way back to the 1960s. One of the subjects that Graham has been intrigued by throughout his career is pop music. He's written about the Kinks and the Rolling Stones, punk rock and the place of women in rock and roll. Graham came to Minneapolis for the opening of the exhibit and Minnesota Public Radio's Jim Bickal asked him what music he's interested in right now. Bickal found the response interesting, and passed it my way to share:

DanGraham1.jpg"I'm intrigued by Bob Dylan's new persona. On the album "Together through Life" his persona is that of an 80-year-old guy who has a romance in a nursing home and takes his new girlfriend or wife to Niagara Falls. It's 1940s or '50s songs, very trite. There's a lot of doggerel I think. He's using accordion and trumpets. And I think when he had his satellite radio program he got very involved in the '50s and '40s, but his persona is like an old guy now. I think ("Together Through Life") is a great album. It's all about cliches; it's very humorous. I think he's going back to his teenage years.

I think on the new album "Christmas in the Heart" he's trying to be like his hero, Dean Martin. He's always loved Dean Martin. Of course there's the whole idea of if he's doing things from the heart or not; he's dealing with the cliche of doing things from the heart. In "Chronicles" (Dylan's autobiography), he talks about being a normal family man, having a good marriage, but in fact he was cheating on his wife the entire time. So, I think he's trying to portray himself as somebody who has heart."

What do you think of Bob Dylan's image? Do you see an attempt to recreate himself, or to rewrite his history? Oh and if you haven't heard the new Christmas album, you must check this out.

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This activity is made possible in part by the Minnesota Legacy Amendment's Arts & Cultural Heritage Fund