Inspired by my recent trip to the Textile Center, I decided to pay a visit to a local star in the weaving world. Kelly Marshall actually got her start in weaving at the
Textile Center Weaver's Guild of Minnesota when she was 19, then went on to study in Sweden, and now runs a nationally recognized business from a studio in the Northrup King building in Minneapolis.
Marshall's studio has four large looms in it, and a staff of three full-time weavers to work them. While weaving is often considered a solitary art, Marshall says she's always wanted company:
When I started weaving for a profession, I took a business class at Women Venture to help me get my mind around running a business as a weaver. One of the first things we did was project what the business would look like in 5 years. My vision was a large, sunlight room with several looms and myself and several weavers working on the looms. I have always wanted to share the craft of weaving, making the textiles, with others.
Photo by Abernathy Photography
Marshall is very aware of the pleasure that comes from making something with your own hands, but she also recognizes that if she wants to be a professional weaver for many years to come, she has to take care of herself.
I enjoy doing many different kinds of handwork and always have a project going whether it is stitching, knitting, beading, or bobbin lace making to name a few of the crafts I enjoy. Weaving is very taxing on the body and although I never had an injury from weaving I could feel the stress on my body after 15 years of weaving full time.
Photo by Andrea Rugg
Now Marshall spends the majority of her time working with clients, attending craft shows, and working on her favorite aspect of weaving - the design process. The infinite possibilities of form and color are what really excite Marshall.
Photo by Abernathy Photography
Marshall says even though she's not on the loom weaving every day, she still feels very connected to the work:
I consult with the clients and do all the designing. I calculate all the yarn needed for each piece and lay out the patterns and consult with the weavers when they start a piece to get the proportions correct. I am in the studio sewing the totes and am always working on developing new product.
Sometimes I do miss working on the loom where the task ahead of me is very determined, repetitive and meditative at times. It is a process of doing something that has hand memory, my body knows how to weave, set up a loom, the actions are learned in my cells, it is wonderful to be so connected to something. On the other hand I enjoy challenging other parts of myself: how to run a successful business, employees, human resources, benefits, marketing, product development, and financial planning. How do I fit into a community of fiber artists, and craftspeople in general?
If you'd like to check out Kelly Marshall's studio, you can! She'll be participating in the Northrup King Building's "Art Attack" gallery open house November 6-8.(5 Comments)
When a big exhibition comes around, a museum likes to throw on a big party to celebrate it. Such was the case this past weekend at the Minneapolis Institute of Arts as it marked the opening of "The Louvre and the Masterpiece."
Now I don't often make opening parties - by that time I've usually gone to a press preview of the show, have reported on the exhibition, and am ready to move on to the next story. But I know that many people have their notions about museums and galleries, and the kind of people who show up to their events. "Too snooty for me" some friends say, or "boring!" So, armed with a Flipcam, I decided to attend Saturday's opening and bring back tangible proof of what one of these events is like. Maybe I'd do some myth-busting, or maybe I'd simply confirm those preconceptions.
I have to say, when I first walked into the MIA Saturday night, I was surprised. There was a bass beat booming that was audible from the coatcheck, and the regular museum lights had been replaced with violet flourescents that made the main halls feel more like a downtown club than an encyclopedic museum. There were drink stations EVERYWHERE, as well as dancers clad in 18th century French frocks performing on little stages. People were kicking back in comfy furniture next to centuries old roman sculpture, and watching light shows around the fountain.
The people-watching was worth the price of admission, in my opinion. Just seeing how folks dressed up, some with a French flair, was fun. But take a look at the clip and tell me: does this look like a fun party to you? Are you now more or less tempted to go to a museum opening? Why? Would you feel comfortable at a party like this? Entertained? Bored? And how does it compare to the image you had in your head? If this isn't your cup of tea, what kind of art party would you rather attend?
My little revelation of the evening: museums don't serve red wine. It's just trouble waiting to happen.(6 Comments)