State of the Arts: July 10, 2009 Archive

New Walker season tests limits of performance

Posted at 6:00 AM on July 10, 2009 by Marianne Combs (1 Comments)
Filed under: Museums, Theater

Image from "Call Cutta in a Box: An Intercontinental Phone Play," courtesy of Walker Art Center

The Walker Art Center has released its 2009-2010 performing arts season (although as of this writing it's not posted on the Walker website), and it's as ambitious as ever. It highlights artists from around the world along with those here at home. In many cases the Walker has commissioned new works that involve collaboration across disciplines, and international borders. American guitarist Bill Frisell is paired with an Iraqi oud player, while a Brooklyn dance company is collaborating with another troupe from West Africa.

I spoke with curator Philip Bither about the season. He described many of the performances in detail. Among them, one really caught my attention. It's a performance by a German group called Rimini Protokoll, which will run for a month during the Walker's Out There Festival. It needs to run that long because each performance is limited to two people: you, and a call worker in India. I'll let Bither explain the rest:

...you go into a room and you get a cell phone call from a call worker in Calcutta. You end up going through a series of structured conversations and you get to know this person very well. You end up drinking some tea that they're able to turn on all the way from Calcutta. You taste some spices from India, and by the end of 'the show' you're in front of a computer screen and moving a mouse that's hidden under a planter, and you see each other. It's a remarkably different kind of theater. You and what you bring with your life and stories is as much part of that theater experience as what's happening 'on the stage,' which in this instance is in Calcutta, through the computer.

Part script, part improv, part cultural exchange, this one-on-one drama is an example of how artists are playing with our everyday experiences (such as the computer service call that ends up connecting us with someone on the other side of the planet) to tell stories of human connection and disconnection. It's just that in an era of globalization, what constitutes an "everyday experience" is changing rapidly. In today's world technology has the power to transform a desk with a computer and a cellphone into a theater. I wonder what tomorrow will bring?

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Junky Art or Arty 'Junque?'

Posted at 3:02 PM on July 10, 2009 by Marianne Combs (0 Comments)
Filed under: Culture, People

Sara Aeikens and her husband Leo have been walking the same path around Fountain Lake in Albert Lea for close to 15 years. For the last three of those years, Aeikens has been picking up the discarded objects she finds along the way and taking them home. She estimates she now has over two thousand objects, many of which are currently on display at the Albert Lea Art Center. She's grouped them together to create sculptural pieces. Others she's put out for people to mix and match into their own creations.

Aeikens show, titled "Junky Art or Arty Junque?" is on display in connection with another exhibition on sustainable art. Aeikens says she's given her ritual of picking up other people's trash a lot of thought. Here's what she says she's learned:

Our little actions do make a difference- negative or positive.

When we toss a tiny thing, it becomes many things.

Our little contributions affect our environment- right in our own neighborhood.

We could improve on noticing our little actions- by keeping our eyes to the ground and also by being aware of our larger surroundings and how we impact our space.

Junk can be colorful, unique, artistic and can be turned into "JUNQUE ART."

Junk can create humorous situations and spaces.

In my junque journey I enjoyed putting together numerous pieces that magically fit together after locating a frame or foundation to contain it or serve as a cohesive unit.

Junk to Junque can have a spiritual component.

Aeikens says she's noticed that some people coming into her gallery space have almost immediately turned around and walked out, or have simply said out loud "I don't get it," and she respects that. But she says she also believes what we throw away says as much about ourselves as what we keep. Taking a long hard look at our junk may be difficult for some, because it reveals things we may not be comfortable with.

(Images by Marie DeGennaro, courtesy of Sara Aeikens)

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