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   <title>Classical Notes</title>
   <link rel="alternate" type="text/html" href="http://minnesota.publicradio.org/collections/special/columns/comparing_notes/" />
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   <id>tag:minnesota.publicradio.org,2008:/collections/special/columns/comparing_notes//22</id>
   <updated>2008-07-18T21:38:40Z</updated>
   <subtitle>Personal perspectives on the world of classical music.</subtitle>
   <generator uri="http://www.sixapart.com/movabletype/">Movable Type Open Source 4.1</generator>


<entry>
   <title>We Pause Now....</title>
   <link rel="alternate" type="text/html" href="http://minnesota.publicradio.org/collections/special/columns/comparing_notes/archive/2008/07/we_pause_now.shtml" />
   <id>tag:minnesota.publicradio.org,2008:/collections/special/columns/comparing_notes//22.19728</id>
   
   <published>2008-07-18T21:33:50Z</published>
   <updated>2008-07-18T21:38:40Z</updated>
   
   <summary>Not classical at all. . . . but if you ever wondered what radio staffers email around to each other: This is a collection of station identifications, theme songs and the like, from all over the world. Curious how the...</summary>
   <author>
      <name></name>
      
   </author>
   
   
   <content type="html" xml:lang="en" xml:base="http://minnesota.publicradio.org/collections/special/columns/comparing_notes/">
      <![CDATA[Not classical at all. . . . but if you ever wondered what radio staffers email around to each other:

This is a collection of station identifications, theme songs and the like, from all over the world. Curious how the airwaves sound in Tristan da Cunha? Follow the links starting <a href="http://www.intervalsignals.net/">here.</a>]]>
      
   </content>
</entry>

<entry>
   <title>Musicians &amp; Money</title>
   <link rel="alternate" type="text/html" href="http://minnesota.publicradio.org/collections/special/columns/comparing_notes/archive/2008/07/musicians_money.shtml" />
   <id>tag:minnesota.publicradio.org,2008:/collections/special/columns/comparing_notes//22.19620</id>
   
   <published>2008-07-18T17:46:52Z</published>
   <updated>2008-07-18T17:52:33Z</updated>
   
   <summary>Ten years ago I was finishing a master&apos;s degree in theater history just as my mom was finishing her master&apos;s degree in nursing. I had to explain to her several times why my master&apos;s degree did not automatically grant me...</summary>
   <author>
      <name>Gillian Martin</name>
      
   </author>
   
   
   <content type="html" xml:lang="en" xml:base="http://minnesota.publicradio.org/collections/special/columns/comparing_notes/">
      <![CDATA[Ten years ago I was finishing a master's degree in theater history just as my mom was finishing her master's degree in nursing.  I had to explain to her several times why my master's degree did not automatically grant me better pay the way hers did.

Similarly, the number of trained and talented musicians is large, while the opportunities to make a living wage playing music are few.  <a href="http://www.denverpost.com/ci_9843953">Here's a report</a> from Denver about the situation for musicians there--I assume the situation is similar here.  Am I right?]]>
      
   </content>
</entry>

<entry>
   <title>It Has a Rossini Character, with Notes of Bach, Elgar, and Ravel</title>
   <link rel="alternate" type="text/html" href="http://minnesota.publicradio.org/collections/special/columns/comparing_notes/archive/2008/07/it_has_a_rossin.shtml" />
   <id>tag:minnesota.publicradio.org,2008:/collections/special/columns/comparing_notes//22.19525</id>
   
   <published>2008-07-16T18:05:13Z</published>
   <updated>2008-07-16T18:17:45Z</updated>
   
   <summary>I&apos;ve heard of music being used to make people smarter (the Mozart Effect)--also to stop crime. But here&apos;s a new one: a study that suggests that it can make wine taste different. Maybe something for The Splendid Table to follow...</summary>
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      <name></name>
      
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   <content type="html" xml:lang="en" xml:base="http://minnesota.publicradio.org/collections/special/columns/comparing_notes/">
      <![CDATA[I've heard of music being used to make people smarter (the <a href="http://en.wikipedia.org/wiki/Mozart_effect">Mozart Effect)--</a>also to<a href="http://minnesota.publicradio.org/display/web/2006/04/06/block_e_opera/"> stop crime.</a>  But here's a new one: a study that suggests that it can <a href="http://news.bbc.co.uk/2/hi/uk_news/7400109.stm">make wine taste different.</a>

Maybe something for <a href="http://splendidtable.publicradio.org/">The Splendid Table </a>to follow up on?]]>
      
   </content>
</entry>

<entry>
   <title>Suing Over Bad Reviews</title>
   <link rel="alternate" type="text/html" href="http://minnesota.publicradio.org/collections/special/columns/comparing_notes/archive/2008/07/suing_over_bad.shtml" />
   <id>tag:minnesota.publicradio.org,2008:/collections/special/columns/comparing_notes//22.19466</id>
   
   <published>2008-07-15T16:26:58Z</published>
   <updated>2008-07-15T16:38:27Z</updated>
   
   <summary>This story caught my attention on-line today. A British composer sued the London Evening Standard for libel when it printed a negative review of his opera. The composer claims that by casting aspersions on his artistic choices (the opera had...</summary>
   <author>
      <name>Gillian Martin</name>
      
   </author>
   
   
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      <![CDATA[<a href="http://www.independent.co.uk/news/uk/home-news/panned-by-reviewer-then-bankrupted-by-libel-action-867640.html">This story</a> caught my attention on-line today.  A British composer sued the London <em>Evening Standard</em> for libel when it printed a negative review of his opera.  The composer claims that by casting aspersions on his artistic choices (the opera had a political theme, apparently) the reviewer had curbed his rights to free speech.  The court disagreed.

As a one-time actor, I've felt the sting of bad reviews of productions I've been in.  I remember one that was downright cruel.  But to sue?  That seems extreme.  Bad reviews are just part of the game.]]>
      
   </content>
</entry>

<entry>
   <title>Interstate Travel Made Easier</title>
   <link rel="alternate" type="text/html" href="http://minnesota.publicradio.org/collections/special/columns/comparing_notes/archive/2008/07/interstate_trav.shtml" />
   <id>tag:minnesota.publicradio.org,2008:/collections/special/columns/comparing_notes//22.19445</id>
   
   <published>2008-07-14T19:11:32Z</published>
   <updated>2008-07-14T19:35:54Z</updated>
   
   <summary>Just got back from vacation..... While I&apos;m no fan of extended drives along most Interstate highways across the U.S., I experienced a most enjoyable one along I-5 from central Oregon into northern California. It was Independence Day. Rolling south through...</summary>
   <author>
      <name>Ward Jacobson</name>
      
   </author>
   
   
   <content type="html" xml:lang="en" xml:base="http://minnesota.publicradio.org/collections/special/columns/comparing_notes/">
      Just got back from vacation.....

While I&apos;m no fan of extended drives along most Interstate highways across the U.S., I experienced a most enjoyable one along I-5 from central Oregon into northern California.  

It was Independence Day.

Rolling south through the Willamette Valley with the Cascades to my left and the Coastal Range to my right, there was classical music found on the radio!  From Copland (Rodeo) and Ives (&quot;America&quot; Variations) to Bernstein (Candide Overture) and Gould (American Salute), the soundtrack for my drive was made-to-order for the day. 

Okay, the average price of gas along the way was about $4.75 per gallon, and nothing about that excites me.  But hearing that wonderful American music, on that day, in that oh-so-beautiful region of our country made me feel pretty good....and yes, patriotic!

Wish I knew who was responsible on the programming side - to whomever it might have been, thanks!
      
   </content>
</entry>

<entry>
   <title>RIP Thomas Nee, Co-Founder MN Opera</title>
   <link rel="alternate" type="text/html" href="http://minnesota.publicradio.org/collections/special/columns/comparing_notes/archive/2008/07/rip_thomas_nee.shtml" />
   <id>tag:minnesota.publicradio.org,2008:/collections/special/columns/comparing_notes//22.19443</id>
   
   <published>2008-07-14T18:48:12Z</published>
   <updated>2008-07-14T18:57:01Z</updated>
   
   <summary>Thomas Nee may have left the Twin Cities more than 40 years ago, but his legacy continues. He co-founded the Minnesota Opera in 1963, and was an assistant conductor to Antal Dorati back when the Minnesota Orchestra was still the...</summary>
   <author>
      <name>Gillian Martin</name>
      
   </author>
   
   
   <content type="html" xml:lang="en" xml:base="http://minnesota.publicradio.org/collections/special/columns/comparing_notes/">
      <![CDATA[Thomas Nee may have left the Twin Cities more than 40 years ago, but his legacy continues.  He co-founded the Minnesota Opera in 1963, and was an assistant conductor to Antal Dorati back when the Minnesota Orchestra was still the Minneapolis Symphony.

Mr. Nee died last week at age 87.  Read more about him <a href="http://www.citizen.com/apps/pbcs.dll/article?AID=/20080712/GJNEWS02/457068637/-1/CITNEWS">here.</a>

Read a brief history of the Minnesota Opera <a href="http://mnopera.org/about">here.</a>

Did you know Thomas Nee?  Post your remembrances in the comments section below.]]>
      
   </content>
</entry>

<entry>
   <title>e-Piano Competition breaks its own rule</title>
   <link rel="alternate" type="text/html" href="http://minnesota.publicradio.org/collections/special/columns/comparing_notes/archive/2008/07/epiano_competit.shtml" />
   <id>tag:minnesota.publicradio.org,2008:/collections/special/columns/comparing_notes//22.19423</id>
   
   <published>2008-07-12T15:36:43Z</published>
   <updated>2008-07-12T15:46:55Z</updated>
   
   <summary>Following Friday&apos;s thrilling Final Round of the Minnesota International e-Piano Junior Competition, the judges and Artistic Director Alexander Braginsky found they were faced with a slight dilemna. When the competition was established, the rules stated that, no matter what, only...</summary>
   <author>
      <name></name>
      
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   <content type="html" xml:lang="en" xml:base="http://minnesota.publicradio.org/collections/special/columns/comparing_notes/">
      Following Friday&apos;s thrilling Final Round of the Minnesota International e-Piano Junior Competition, the judges and Artistic Director Alexander Braginsky found they were faced with a slight dilemna.  When the competition was established, the rules stated that, no matter what, only ONE First Prize would be awarded.  No questions asked!
At yesterday&apos;s Award Ceremony, Braginsky said that since he made the rule, he had the power to break it.  So, here are the results:

First Prize went to two contestants:

Frank Duepree, 16/Germany, played Tchaikovsky Concerto #1 in the Final Round
Nansong Huang, 14/China, played Rachmaninoff Concerto #3 in the Final Round

Second Prize -- not awarded

Third Prize went to two contestants:

Osip Nikiforov, 14/Russia, played Beethoven Concerto #3 in the Final Round
Jan Lisiecki, 13/Canada, played Chopin Concerto #2 in the Final Round

Fourth Prize -- not awarded

Fifth Prize: Vladimir Levitsky, 16/Russia, played Tchaikovsky Concerto #1 in the Final Round

Your thoughts?


      
   </content>
</entry>

<entry>
   <title>alfredschnittke.com</title>
   <link rel="alternate" type="text/html" href="http://minnesota.publicradio.org/collections/special/columns/comparing_notes/archive/2008/07/alfredschnittke.shtml" />
   <id>tag:minnesota.publicradio.org,2008:/collections/special/columns/comparing_notes//22.19320</id>
   
   <published>2008-07-11T18:54:00Z</published>
   <updated>2008-07-11T18:55:02Z</updated>
   
   <summary>I came across this website the other night while trying to find some biographical information about Russian composer Alfred Schnittke. To my surprise, it contains no information about Schnittke at all, though it does have a few photos of him....</summary>
   <author>
      <name>Gillian Martin</name>
      
   </author>
   
   
   <content type="html" xml:lang="en" xml:base="http://minnesota.publicradio.org/collections/special/columns/comparing_notes/">
      <![CDATA[I came across <a href="http://alfredschnittke.com">this website</a> the other night while trying to find some biographical information about Russian composer Alfred Schnittke.

To my surprise, it contains no information about Schnittke at all, though it does have a few photos of him.  What it does contain appeals to my Dada-esque sense of humor, and perhaps yours.]]>
      
   </content>
</entry>

<entry>
   <title>Classical Music is Alive and Well at the e-Piano Competition</title>
   <link rel="alternate" type="text/html" href="http://minnesota.publicradio.org/collections/special/columns/comparing_notes/archive/2008/07/classical_music_2.shtml" />
   <id>tag:minnesota.publicradio.org,2008:/collections/special/columns/comparing_notes//22.19325</id>
   
   <published>2008-07-09T22:40:05Z</published>
   <updated>2008-07-09T22:54:16Z</updated>
   
   <summary>The first-ever e-Piano Junior Competition is in the Semi-Final Round this afternoon at Hamline University&apos;s Sundin Hall. Beginning at noon, each of the nine remaining contestants presented a 40-minute program. Lots of Lizst, Prokofiev and Chopin. Right now, a 16...</summary>
   <author>
      <name></name>
      
   </author>
   
   
   <content type="html" xml:lang="en" xml:base="http://minnesota.publicradio.org/collections/special/columns/comparing_notes/">
      <![CDATA[The first-ever e-Piano Junior Competition is in the Semi-Final Round this afternoon at Hamline University's Sundin Hall.  Beginning at noon, each of the nine remaining contestants presented a 40-minute program.  Lots of Lizst, Prokofiev and Chopin.  Right now, a 16 year old Frank Dupree from Germany is presenting his program which includes a solo version of Gershwin's Rhapsody in Blue!
 
At the end of today, we'll find out who the judges have selected as the five finalists.  Those five will compete in the Concerto Round on Friday at noon.  For this phase of the competition, they play with the Minnesota Orchestra and the performance will be broadcast live on Classical MPR.  The concert is free, but if you can't make it to Orchestra Hall please join us for what promises to be an exciting live broadcast.

Find out more about this year's Jr. e-Comp at the <a href="http://www.piano-e-competition.com/">competition website.  Later this evening, they'll provide the names of the five finalists.


 
]]>
      
   </content>
</entry>

<entry>
   <title>The Junior e-Comp continues to impress</title>
   <link rel="alternate" type="text/html" href="http://minnesota.publicradio.org/collections/special/columns/comparing_notes/archive/2008/07/the_junior_ecom.shtml" />
   <id>tag:minnesota.publicradio.org,2008:/collections/special/columns/comparing_notes//22.19274</id>
   
   <published>2008-07-08T16:08:48Z</published>
   <updated>2008-07-08T16:57:54Z</updated>
   
   <summary>After catching Round Two of the Minnesota International e-Piano Junior Competition I&apos;m beginning to wonder about the capacity of the human brain. Not mine, but the brains of these young pianists who are somehow able to play at such a...</summary>
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      <name></name>
      
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   <content type="html" xml:lang="en" xml:base="http://minnesota.publicradio.org/collections/special/columns/comparing_notes/">
      <![CDATA[After catching Round Two of the Minnesota International e-Piano Junior Competition I'm beginning to wonder about the capacity of the human brain.  Not mine, but the brains of these young pianists who are somehow able to play at such a high level.  I realize that many of them spend hours (6, 8?) practicing each day, but it's still remarkable to me that they are able to digest the music and present it to us in such fine form.
Take Vladimir Levitsky, a tall, slender 16 year old from Russia who ended his 30-minute program yesterday with the knuckle-busting Vladimir Horowitz edition of the Hungarian Rhapsody No. 2 by Liszt.  (As if the Liszt original version wasn't demanding enough!)  Or, the more intimate performer Jan Lisiecki from Canada.  Jan is only 13, and his interpretation of Liszt's Concert Etude "Un Sospiro" was so beautiful it made me cry.
Vladimir and Jan are two of the nine semi-finalists who will compete in the next round of the competition which begins at noon on Wednesday.  This takes place at Hamline University's Sundin Hall and is free and open to the public.  Or, check out the live stream of the Semi-Final Round at:  <a href="http://www.piano-e-competition.com/">competition website.</a> Just look for the Live Stream link under Current Competition.  
]]>
      
   </content>
</entry>

<entry>
   <title>Gustav Mahler&apos;s Bacon Number</title>
   <link rel="alternate" type="text/html" href="http://minnesota.publicradio.org/collections/special/columns/comparing_notes/archive/2008/07/whats_your_baco.shtml" />
   <id>tag:minnesota.publicradio.org,2008:/collections/special/columns/comparing_notes//22.19251</id>
   
   <published>2008-07-08T05:00:01Z</published>
   <updated>2008-07-08T16:09:06Z</updated>
   
   <summary>Today is actor Kevin Bacon&apos;s 50th birthday. Bacon is the subject of the trivia game &quot;Six Degrees of Kevin Bacon.&quot; The premise: due to his prolific screen career, any Hollywood actor can be linked to another in six steps or...</summary>
   <author>
      <name></name>
      
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      <category term="The blog" scheme="http://www.sixapart.com/ns/types#category" />
   
   
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      <![CDATA[Today is actor Kevin Bacon's 50th birthday.

Bacon is the subject of the trivia game "<u><a href="http://en.wikipedia.org/wiki/Six_Degrees_of_Kevin_Bacon">Six Degrees of Kevin Bacon</a></u>." The premise: due to his prolific screen career, any Hollywood actor can be linked to another in six steps or less. A person's number of degrees of separation from Kevin Bacon is that person's "Bacon Number".

Leonard Bernstein's Bacon Number is 2: Bacon's co-star in "Footloose" was Lori Singer, a Juilliard-trained cellist who knew Bernstein.

Leopold Stokowski's Bacon Number is 3: Lori Singer's father was conductor Jacques Singer, who was a protege of Stokowski.

Arturo Toscanini's Bacon Number is also 3: Lori Singer studied with Leonard Rose, who was hired by Toscanini to play in the NBC Symphony Orchestra.

Gustav Mahler's Bacon Number is 4: Leonard Rose was a friend of conductor Bruno Walter, who was a friend of Mahler's.

Yo Yo Ma's Bacon Number is 2: He and Lori Singer both studied with Leonard Rose.

Joshua Bell's Bacon Number is 3: His friend John Corigliano (who composed "The Red Violin Concerto" for Bell) taught orchestration to Michael Bacon, who is Kevin's big brother (Michael and Kevin performed together as "The Bacon Brothers").

Any others we should add to the list? What's <em>your</em> Bacon Number?

You might want to consult <u><a href="http://oracleofbacon.org/">The Oracle of Bacon</a></u>! (props to Fred Child for the tip!)]]>
      
   </content>
</entry>

<entry>
   <title>The Junior e-Piano Competition is underway</title>
   <link rel="alternate" type="text/html" href="http://minnesota.publicradio.org/collections/special/columns/comparing_notes/archive/2008/07/the_junior_epia.shtml" />
   <id>tag:minnesota.publicradio.org,2008:/collections/special/columns/comparing_notes//22.19248</id>
   
   <published>2008-07-07T22:12:12Z</published>
   <updated>2008-07-08T16:08:18Z</updated>
   
   <summary>I spent much of my weekend at Hamline University&apos;s Sundin Hall listening to 18 extraordinary young pianists, invited to the Twin Cities to participate in the first-ever Minnesota International e-Piano Junior Competition. The e-Comp isn&apos;t new to the Twin Cities,...</summary>
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      <name></name>
      
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   <content type="html" xml:lang="en" xml:base="http://minnesota.publicradio.org/collections/special/columns/comparing_notes/">
      <![CDATA[I spent much of my weekend at Hamline University's Sundin Hall listening to 18 extraordinary young pianists, invited to the Twin Cities to participate in the first-ever Minnesota International e-Piano Junior Competition. The e-Comp isn't new to the Twin Cities, but the Junior piece of it is.  Pianists older than 17 are not allowed to participate.
On Sunday night, the field of 18 contestants was reduced to 12.  Tonight, following a full day of competition, the field is reduced to 9.
Performances today and Wednesday are streamed live on the <a href="http://www.piano-e-competition.com/">competition website.</a> Just look for Live Stream under Current Competition.  ]]>
      
   </content>
</entry>

<entry>
   <title>Get Well, Dame Joan!</title>
   <link rel="alternate" type="text/html" href="http://minnesota.publicradio.org/collections/special/columns/comparing_notes/archive/2008/07/get_well_dame_j.shtml" />
   <id>tag:minnesota.publicradio.org,2008:/collections/special/columns/comparing_notes//22.19223</id>
   
   <published>2008-07-07T04:31:48Z</published>
   <updated>2008-07-07T04:50:08Z</updated>
   
   <summary>She&apos;s fallen, and I imagine she couldn&apos;t get up. Dame Joan Sutherland was walking through her garden when she fell and broke both her legs. (Ouch!) No way to know if she sang an aria expressing her grief at this...</summary>
   <author>
      <name>Gillian Martin</name>
      
   </author>
   
   
   <content type="html" xml:lang="en" xml:base="http://minnesota.publicradio.org/collections/special/columns/comparing_notes/">
      <![CDATA[She's fallen, and I imagine she couldn't get up.  Dame Joan Sutherland was walking through her garden when she fell and broke both her legs. (Ouch!)  

No way to know if she sang an aria expressing her grief at this bitter turn of events, or merely cursed, like the rest of us; but like a true opera heroine, she did urge her husband to continue their planned trip to Australia while she lay bed-ridden in the hospital.  

Read more about it <a href="http://www.cbc.ca/arts/music/story/2008/07/04/sutherland-injury-soprano.html?ref=rss">here</a>.]]>
      
   </content>
</entry>

<entry>
   <title>Most People Can Sing</title>
   <link rel="alternate" type="text/html" href="http://minnesota.publicradio.org/collections/special/columns/comparing_notes/archive/2008/07/most_people_can.shtml" />
   <id>tag:minnesota.publicradio.org,2008:/collections/special/columns/comparing_notes//22.19215</id>
   
   <published>2008-07-05T09:05:09Z</published>
   <updated>2008-07-05T09:16:33Z</updated>
   
   <summary>I had a voice teacher in college who asserted that almost everyone can be taught to sing well. Now science has proved it--well, something like it. New research (albeit with a fairly small sample) suggests that 90% of the general...</summary>
   <author>
      <name>Gillian Martin</name>
      
   </author>
   
   
   <content type="html" xml:lang="en" xml:base="http://minnesota.publicradio.org/collections/special/columns/comparing_notes/">
      <![CDATA[I had a voice teacher in college who asserted that almost everyone can be taught to sing well.  Now science has proved it--well, something like it.

New research (albeit with a fairly small sample) suggests that 90% of the general public can sing on pitch.  The 10% who can't fall into two groups:  those who know it, and those who don't.  Read more about the study <a href="http://www.livescience.com/strangenews/080627-carrying-tune.html">here.</a>

Personally, I've always had a certain admiration for those who don't sing well, but still sing lustily and loud.  To me, it demonstrates the sheer joy of singing.]]>
      
   </content>
</entry>

<entry>
   <title>Lucia di Torrey Pines</title>
   <link rel="alternate" type="text/html" href="http://minnesota.publicradio.org/collections/special/columns/comparing_notes/archive/2008/07/lucia_di_torrey.shtml" />
   <id>tag:minnesota.publicradio.org,2008:/collections/special/columns/comparing_notes//22.19160</id>
   
   <published>2008-07-02T19:27:01Z</published>
   <updated>2008-07-02T19:43:35Z</updated>
   
   <summary>Speaking of opera and sportwriters (see Gillian&apos;s blog posting below), here&apos;s another piece along similar lines. Jon Carroll of the San Francisco Chronicle takes a humorous (and appreciative) look at the extravagant art. It&apos;s not strictly a sports column, though...</summary>
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      <name></name>
      
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   <content type="html" xml:lang="en" xml:base="http://minnesota.publicradio.org/collections/special/columns/comparing_notes/">
      <![CDATA[Speaking of opera and sportwriters (see Gillian's blog posting below), here's another piece along similar lines. Jon Carroll of the San Francisco Chronicle takes a <a href="http://www.sfgate.com/cgi-bin/article.cgi?file=/chronicle/archive/2008/06/20/DDC911BC0O.DTL">humorous (and appreciative) look at the extravagant art.</a>

It's not strictly a sports column, though he does work in Tiger Woods....]]>
      
   </content>
</entry>

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