I sat down at work today and realized the quiet. Of course, there remained an uncanny hustle and bustle throughout the city with professionals in their daily activities and duties - the city never sleeps no matter how calm the façade. Enclosing that motion was a silence that intrigued my ears and I soon realized that the silence's fountainhead came from reflection.
And how could it have taken me so long to realize that the holidays were staring me in the face, wrapping themselves around me? The juxtaposition of deeply religious rituals and the severally secular Western celebration of a New Year (ironically, a celebration from a calendar instigated by the papal authority in the 16th century, but I digress).
So, in honor of the end of 2011 we will dedicate this post to the reflection on the classical music world of this past year.
We will circle ourselves around several themes: the wonderful tradition of summer festivals, the financial woe epidemic amongst musical organizations, the growth of virtual distribution and widespread access to performances and within we will touch on some of the Minnesota regional highlights.
Let's celebrate the New Year by reflecting and paying homage to this last one. So, will you join me in saying, "Thank you 2011! Your classical music was grand!"
This year hosted an array of creative programming including the largest symphonic work, Symphony No. 1 in D minor "The Gothic" written by Havergal Brian, several works written by transcendent French composer Olivier Messiaen, opening the festival with the rarely heard Glagolitic Mass by Leos Janacek, an entire Steve Reich concert with the composer himself performing, appearances by American ensemble Pittsburgh Symphony Orchestra and an obscure piece written by the grandson of Sergei Prokofiev, Gabriel Prokofiev, his Concerto for Turntables and Orchestra (DJ Switch is perhaps the only t-shirt wearing musician to grace the Royal Albert Hall stage). Overall, an extremely successful event!
In America we host a vast amount of summer festivals as well; the Tanglewood Music Festival, Aspen Music Festival and School, Marlboro Music Festival, the Grand Canyon Music Festival, Interlochen Center for the Arts and the list goes on and on...
A favorite amongst the prior list would be the Aspen Summer Festival and School. In 2011 conductor Robert Spano was named Music Director-Designate and led a fabulous summer festival where professionals and up-and-coming musicians are able to mingle and collaborate.
Marlboro Artistic Directors Richard Goode and Mitsuko Uchida lead a truly collaborative effort, marking this year as Marlboro's 60th anniversary!
The Twin Cities hosts many summer celebrations as well, but the cherished Minnesota Orchestra Sommerfest is a Minnesota favorite. This past summer they performed many great works throughout classical history: Stravinsky's Firebird Suite and Petrushka, Beethoven's 9th Symphony, an all Gershwin program, an all Mozart program and some very interesting guest artists; the Beatles tribute band "1964" and pop-indie band Cloud Cult.
A very successful, entertaining and meaningful summer music scene. Thank you 2011, your summer music was fabulous!
A short recap...
Striking to the brink, the Detroit Symphony Orchestra was able to pull itself up from the bootstraps and come to an agreement on April 3, 2011, concerts resuming on April 9. Close call...
However, look into any school district's budget and you will see that the arts are struggling more than ever.
The financial woe epidemic touches every aspect of human culture and society. Now, more than ever, in our financial dire straits we as a society need to embrace the hopeful and meaningful gifts that art can bring.
Thank you 2011 for opening our eyes and ears!
Among the productions streamed were: Rossini's Le Comty Ory, Puccini's La Fanciulla del West, Gluck's Iphigénie en Tauride, Adams' Nixon in China, Verdi's Il Trovatore and many others.
I have been to these productions and they are pretty neat! I saw Richard Strauss' Capriccio and I got lost on stage. In fact, I felt as though I was missing my cues or something because all I was doing was watching instead of interacting with the performers.
Check these out in 2012! Some great productions coming up: Wagner's Götterdämmerung, Handel's Rodelinda, Gounod's Faust and a new production of Massanet's Manon.
There are many locations throughout the Twin Cities that these theatre experiences are available: AMC Rosedale 14, Oakdale Cinema, Brooklyn Center 20, Eagan 16, AMC Eden Prairie 18 to just name a few. Check out Fathom Events at their website.
Thank you 2011 for continuing to bring us onstage!
However, this year brought some new and interesting liberties in way of classical attire.
This past fall 24 year old pianist Yuja Wang was regarded as though she were some pop star celebrity. Basically, she wore this very short and quite tight orange dress to play a concert at the Hollywood Bowl. The proceeding conversations hardly focused on her actual playing, of which she did a most outstanding job. Rather, these conversations were side to side bantering about the morally correct thing to wear on stage at a classical performance.
The winner of a 2011 Echo award, 31 year old violinist David Garrett, who might be confused as Kurt Cobain, has pushed us to the brink of ambiguity as to what a "typical" classical musician looks and dresses like.
In this case I will allow the pictures to speak my 1,000 words.
This is wonderful, Sam. I am proud of and appreciate everything you have done here. You keep making me proud to call you family.
This is a wonderful tribute and reflection of the classical world in 2011. So proud and excited to have you blogging in this domain and bringing such a youthful and passionate perspective.
Can't wait to see what 2012 brings!!