You can now listen to Classical and Choral Music on your iOS (iPhone, iPod Touch, and iPad) or Android device.
| July 2011 | ||||||
|---|---|---|---|---|---|---|
| S | M | T | W | T | F | S |
| 1 | 2 | |||||
| 3 | 4 | 5 | 6 | 7 | 8 | 9 |
| 10 | 11 | 12 | 13 | 14 | 15 | 16 |
| 17 | 18 | 19 | 20 | 21 | 22 | 23 |
| 24 | 25 | 26 | 27 | 28 | 29 | 30 |
| 31 | ||||||
Posted at 2:45 PM on July 18, 2011
by Rex Levang
(1 Comments)
This Saturday at 7:30, we'll be broadcasting the Minnesota Orchestra's live performance of Der Rosenkavalier. Since its first performance 100 years ago, it's been a smash hit with the public. One reason is that each of its three acts has at least one passage where music, words and drama come together to create a foolproof moment of theater.
Here's one of them: the intimate Act I monologue sung by the Marschallin (a Viennese noblewoman), musing on marriages, aging, and the mysterious ways of the world.
I find this one of the most moving scenes of opera, any opera I know, even more so now that I am getting older. What also intrigues me as a scientist, however, is that she refers to time as "ein Geschöpf des Vaters," as something created by god. Surely a bit of Augustinian philosophy surviving the absolute time of the scholastics and of Newton, used to wonderful effect here. But today it also sounds peculiarly modern.