On Now

Music Through The Night®
Kevin O'Connor
Listen to the Stream
  • Clarinet Concerto 12:25 Johann Stamitz
    Academy of St Martin in the Fields
    Iona Brown
    Sabine Meyer, clarinet
    Buy Now
  • Fantasia No. 9 12:20 Thomas Lupo
    Fretwork
    Buy Now
Playlist

You can now listen to Classical and Choral Music on your iOS (iPhone, iPod Touch, and iPad) or Android device.

Blog Archive

October 2007
S M T W T F S
  1 2 3 4 5 6
7 8 9 10 11 12 13
14 15 16 17 18 19 20
21 22 23 24 25 26 27
28 29 30 31      


Master Archive

Contact Us

Purchase the Music

  • Buy the music you've heard on-air! Your purchase helps support our classical service.
    ArkivMusic

Services

Classical Notes

Musical Invective, etc.

Posted at 2:34 PM on October 26, 2007 by Rex Levang

Two splendid rants in the online sphere this week. . . .

In The New Republic, Richard Taruskin peruses a recent stack of classical music books and questions whether it's possible to defend classical music without resort to "pious tommyrot, double standards, false dichotomies, smug nostalgia, utopian delusions, social snobbery, tautology, hypocrisy, trivialization, pretense, innuendo, reactionary invective, or imperial haberdashery." (Warning – long article.)

From the unlikely source of The Huffington Post, a blog entry on program notes, and the impenetrability thereof. Ivan Katz asks, "Am I the only one who has noticed that the program notes provided to concert goers are, in the main, so badly written as to be embarrassing?" In this, Minnesotans may be spoiled – when I think of program notes, I think of the stylish and readable efforts by Michael Steinberg, Mary Ann Feldman, and others. But your results may vary – read on.