You can now listen to Classical and Choral Music on your iOS (iPhone, iPod Touch, and iPad) or Android device.
| April 2007 | ||||||
|---|---|---|---|---|---|---|
| S | M | T | W | T | F | S |
| 1 | 2 | 3 | 4 | 5 | 6 | 7 |
| 8 | 9 | 10 | 11 | 12 | 13 | 14 |
| 15 | 16 | 17 | 18 | 19 | 20 | 21 |
| 22 | 23 | 24 | 25 | 26 | 27 | 28 |
| 29 | 30 | |||||
Posted at 8:00 AM on April 5, 2007
by Rex Levang
In answer to Gillian Martin's question, I have one amateur performance that I remember vividly. This was a soprano--unfortunately I don't remember her name--who entered the Metropolitan Opera auditions some years back, and sang the Letter Aria from Douglas Moore's "Ballad of Baby Doe."
I suppose it was the "aria in English" that many auditions require, and it's not a piece that is necessarily going to knock an audience's socks off. But in her performance, what directness and simplicity she gave it:
Dearest Mama, I am writing
For I'm lonely and distressed. . . .
I'm not sure if it happened because she was an amateur, or because she was a talented singer. I suspect the latter; to paraphrase Andre Gide, in the arts, sincerity is the hardest thing to achieve.