The new game 'Spartan Strike' exists in an audio-dominant world. To make sure he could still capture a player's attention, composer Tom Salta decided to record quieter, more subtle cues. He also enlisted the help of the New York Film Chorale and the Macedonian Radio Symphonic Orchestra. Hear more about it on this week's episode of Top Score.
Completely self taught, Sam Dillard not only composes music, but he also performs and records his work. Recently hired by Kinect for its new Harry Potter trailer, Dillard joins Emily Reese on this week's episode of Top Score.
The enduring success of composer Chris Huelsbeck's early works has created a fan following in his native Germany and across the world. His work inspired a 2008 concert series, and more recently, he's crowd-funded a new album of piano works. Learn more about Chris Huelsbeck on this week's Top Score.
Chicago-based composer John Robert Matz isn't strictly a video-game music creator. He also writes for concert band. On this week's Top Score, Matz talks about these different works and their distinct styles. He also shares some 'sneak peaks' into tracks from the upcoming 'Fossil Echo.'
The director of music recording and scoring at Skywalker Sound, Leslie Ann Jones oversees all sound production in the facilities massive scoring stage. Jones has worked on films, television and video games, and has three Grammys to boot, which she simply calls 'pretty cool'. Hear more about Jones's amazing career on this week's Top Score.
What started out as a one-gig quartet for Chad Schwartz's senior recital has grown into a touring, viable music group. All four members of Triforce Quartet are classically trained musicians and avid gamers. Schwartz talks to Top Score host Emily Reese about the chamber-music group.
From a small studio in Finland, the men of Scoring Helsinki have created a big sound for the dungeon-crawling game, 'The Legend of Grimrock II'. Hear all about it on this week's episode of Top Score.
On this week's Top Score, Emily Reese talks with composer Paul Ruskay, who created the soundtrack for 'Homeworld Remastered'. He explains how he brought the soundtrack back to life from its original version, composed 15 years ago.
On a recent trip to the Game Developers Conference in San Francisco, Emily stopped by the San Francisco Conservatory of Music to learn more about the new Technology and Applied Composition (TAC) program. Learn about and hear performances from the SFCM on this week's Top Score.
Composer Daniel Sadowski possesses that rare ability to see music in color, so when he was asked to compose music for the vivid game 'Stormthrone', it was a dream come true. Daniel Sadowski is Emily Reese's guest on this week's Top Score.
Seven-piece jazz ensemble missingNo arrange video game music into complex, catchy jazz and funk-infused pieces. They are Emily Reese's guests on this week's Top Score.
Do men and women compose differently? Is there such thing as 'masculine' or 'feminine' music? Is defining music that way inherently sexist? This week's episode of Top Score asks some tough questions with composer Penka Kouneva.
Composing duo Brian Trifon and Brian Lee White (aka Finishing Move) met with Top Score host Emily Reese to discuss the game Massive Chalice and the challenges it posed to them. They also share pointers for other collaborative composers.
After four years of soundtrack development, the score for the game 'Ori and the Blind Forest' rested on one composer's ability to unite new musicians and seasoned score professionals.
Composer, audio engineer and voice actor Alexander Brandon joins Emily Reese on this week's Top Score to talk about creating soundtracks that support the various atmospheres of video games.