Between their much-buzzed-about set at the Pitchfork Music Festival on Saturday and their sold-out show at the Triple Rock Social Club last night, excitement over Savages is at an all time high.
With a train rolling behind the stage every 15 minutes and the pungent smell of oil and hot gravel clinging to the air, it was easy to see why Bob Dylan chose to return to St. Paul's Midway Stadium for his AmericanaramA tour.
When they officially broke up in 1987, no one could have guessed that the Suburbs would be back together and making music almost three decades later. The band's members have been through a lot in that time; founding guitarist Bruce C. Allen passed away in 2009, and just two years later frontman Chan Poling lost his wife, Eleanor Mondale, to cancer.
At this point in her career, Dessa has little left to prove. In Minnesota, she's achieved total media saturation. Nationally, her profile has steadily risen with vocal support from flagship critics like Robert Christgau and media outlets like <em>Elle Magazine</em> and <em>MTV</em>. And all signs point to <em>Parts of Speech</em> serving as her biggest push toward a mainstream audience yet.
The Walker Art Center unveiled its Music & Movies 2013 lineup this afternoon, which will once again feature a handful of Minnesota acts warming up for free movie screenings Monday evenings in July and August.
Sue McLean, a high-profile concert promoter in the Twin Cities and the largest independent female promoter in the world, died Friday today from cancer. She was 63.
Har Mar, who we know off stage as Owatonna, Minn. native Sean Tillmann, has long been regarded as a shrewd composer with an ear for pop melodies. Yet throughout his career, he has made a point of separating out his "serious" songwriting and publishing it under aliases like Sean Na Na, while devoting his Har Mar stage name to a much baudier, more flamboyant performance style. For the first time, <em>Bye Bye 17</em> finds Har Mar merging all sides of his persona into one unified front.
Stephanie Curtis, Steve Seel and Jill Riley reflect on the life and career of Roger Ebert, and Stephanie reviews Federico Alvarez's reboot of Sam Raimi's classic 1981 horror film.
Low are minimalists in every sense of the word. Every note, every rise and fall in dynamic, every snippet of between-song banter is intentional, and measured. The Fitzgerald Theater was an ideal setting for the band's poignant show on Saturday, March 23. Enjoy audio from the event.
Low are celebrating a few landmarks with their latest album, <em>The Invisible Way</em>: It's the Duluth trio's 10th studio recording, and it marks their 20th anniversary as a band.
Dark Dark Dark's Nona Marie started her Anonymous Choir back in 2011, featuring a rotating cast of female musicians and close friends, some of which had never performed in a band before. The result is a gorgeous, stirring and stripped-down project focused solely on covers of their favorite musicians.
One of the coolest things about attending SXSW as a Minnesotan is observing just how far and wide our hometown artists manage to spread out during the week. The music festival is an overwhelming sensory experience, with every last bar, restaurant, and street corner overflowing with artists hoping to be seen and heard, and each artists and promoters from our state attempt to break through the din with an array of Minnesota-centric showcases and a healthy roster of acts accepted into the festival as official showcasing acts.
So that's why the Dakota Jazz Club's calendar has been conspicuously blank for the remainder of this week and weekend. The space has been rented out by none other than Prince.
It's the bar where Golden Smog, Zuzu's Petals, and Semisonic all began, and where Dan Wilson first debuted his big hit "Closing Time." It's the bar where Bonnie Raitt hung out while in the Twin Cities to record her debut album. It's where First Ave stage manager Conrad Sverkerson kicked out his first rowdy patron. And it's where Peter Ostroushko was playing pool when he got the call to go play on Bob Dylan's Blood on the Tracks.
After decades of hosting live music, the West Bank institution has closed its doors and vacated its ancient two-story building on the corner of Cedar and Riverside Avenues.