J. Mascis's second solo album, which he self-recorded and produced, showcases the range of Mascis's songwriting talents and sonic interests. Straightforward and catchy, 'Tied to a Star' is a solid and complete album from start to finish.
In early April, Cloud Cult sold out two nights at the Fitzgerald Theater, where they performed two sets -- one acoustic and one electric. In this program, you'll hear selections from both of those sets, featuring songs new and old.
Sharon Jones and the Dap-Kings are giving the people what they want: a new record full of the attitude and tenacity you'd expect from the soul singer combined with the crisp horn arrangements from the Dap-Kings.
Lindsay Kimball, Assistant Program Director and overnight host makes her top picks for the best music of 2013.
"The Carpenter" is more introspective, personal and authentic — a sign that the brothers aren't young bachelors anymore.
He is a 24 year old with the voice and music of someone three times his age. When you hear his debut album, Michael Kiwanuka could fool you into thinking that you were listening to a long-lost Bill Withers record.
Duluth's Trampled by Turtles made a new goal while writing and recording their latest album "Stars and Satellites." They wanted to make an album that "breathes." What does that mean? From the band's standpoint, they were able to step out of their musical comfort zones and create an album as a whole rather than several segmented pieces that feel like a live show.
Folk-pop singer/songwriter Caroline Smith began her music career in a similar fashion to that of Mason Jennings and Elliot Smith - with a residency at the 400 Bar. This led to meeting the fine people that would later put "the good night sleeps" in Caroline Smith and the Good Night Sleeps including Arlen Peiffer, Jesse Schuster and David Earl. Their debut "Backyard Tent Set" was released in 2008 with a live album to fill the gap between that release and their follow up "Little Wind," which came out in September of 2011.
A fusion of hardcore, post-punk and folk (not kidding), the London-based five-piece Dry the River don't sit neatly in one genre. Growing up singing in a choir and then later as a teenager in hardcore bands, frontman Peter Liddle pulled from his parent's folk influences to create the distinct sound of Dry The River. Don't let the beards and violin fool you - they are not another Mumford and Sons! With their debut "Shallow Bed" due out in April, the band is touring heavily to promote it.
And through the relationship and career metamorphoses, you can sense that Edwards has been on a voyage. You hear reflection in her lyrics, and you hear transformation in her emotive voice. From an alt-country aesthetic on her early records to shimmery indie-pop on her latest, this "Voyageur" has traveled a long way.
You never quite know what direction he'll take with each new record, so upon first listen, I was pleased to hear that he went for the mellowed-out, melodic sound similar to his Cold Roses album that he did with The Cardinals in 2005.
Metals experiments with other sounds while still maintaining what makes Feist, Feist: a voice that is its own distinct instrument and conveys her emotion and meaning.
In spending more time recording, it is evident that Peter Wolf Crier has grown immensely in the last year. There's a sense that Peter Wolf Crier have honed their sound and found their musical identity within the numerous Eau Claire bands.
Compared to the minimal composition on "For Emma...", the follow-up is more expansive and even experimental.
Boys -- and particularly the heartbreak they've caused -- are the centerpiece of the new sophomore album from Adele, the 22-year-old British singer-songwriter and 2009 Best New Artist winner at the Grammys.