British rockers Django Django have forged a stunningly inventive sound in their short existence, splitting the difference between vintage rock riffs 'n' rhythms and a contemporary, arty strain of electronic psychedelia.
Good things come in threes with indie rockers, Ra Ra Riot. Fresh of the release of their third album, the band stopped by our studio for the third time to play three songs.
This year's Grammy nominations have the greatest overlap with the Current's playlist than any other year in our history. The actual awards -- well, they overlapped a little.
Without the pressures of his "real band," you can hear the burdens melt off Gibbard's songwriting, much like Jeff Tweedy has done with his non-Wilco projects.
Dave Wakeling of the English Beat chatted with host Mac Wilson about Mac's mellifluous voice, the origins of Halloween, the band's life on tour, Minneapolis crowds and much more.
On the strength of their low-fi garage pop sound, the Australian four-piece has generated considerable buzz surrounding their upcoming debut album.
Longtime fans waiting for a return-to-form can finally breathe a sigh of relief: Rufus Wainwright is back in the game.
When Asa Taccone's brother told him to share some of the music he was working on to his friend Brian, Asa didn't think it would lead to much. But luckily for him Brian was working on other projects as Danger Mouse and liked the sound that Asa was putting together. Through Danger Mouse Asa met Matthew Compton and Electric Guest was formed.
"In Our Heads" is a thrillingly consistent album, veering from high-BPM stompers to some of Hot Chip's most touching ballads to date.
Portland, Ore. folk-rock troupe Blitzen Trapper have been exploring the boundaries and possibilities of Americana for over a decade now, releasing a half-dozen full-lengths and winning the hearts of the national indie scene along the way.
The New York City-based quintet the Walkmen have cemented their status as one of indie rock's most accomplished and talented acts in the ten years since they released their debut album. Their jagged, post-punk influenced sound has steadily mellowed and expanded, and singer Hamilton Leithauser's songwriting has matured as well.
A sometime member of Broken Social Scene and a gifted singer-songwriter in her own right, Leslie Feist has released four albums of beautiful, folk-tinged indie-rock and has cemented her place as one of the indie community's most vital artistic voices. Her most recent album, Metals, was a mature and nuanced crystallization of the ideas and themes she's explored throughout her career. Currently on tour, Feist found time to stop by The Current studios to chat with Mac Wilson and take over our airwaves to play some of of the music she's enjoying lately.
Currently on tour, Feist found time to stop by The Current studios to chat with Mac Wilson and take over our airwaves to play some of of the music she's enjoying lately.
Swedish folk duo First Aid Kit have been playing, recording and releasing music together since they were both in their teens. Their sophomore release, "The Lion's Roar," features guest appearances from Joe Pernice and Conor Oberst and was released in January.
A fusion of hardcore, post-punk and folk (not kidding), the London-based five-piece Dry the River don't sit neatly in one genre. Growing up singing in a choir and then later as a teenager in hardcore bands, frontman Peter Liddle pulled from his parent's folk influences to create the distinct sound of Dry The River. Don't let the beards and violin fool you - they are not another Mumford and Sons! With their debut "Shallow Bed" due out in April, the band is touring heavily to promote it.