Mac Wilson

Mac Wilson

Host, The Current
Minnesota Public Radio
mwilson@mpr.org


Mac Wilson graduated from the University of Minnesota-Morris in 2006, where he was a major contributor to KUMM, the college radio station. During his tenure at KUMM, he served as station manager and news director and spent four years as an on-air personality. He is known for his addiction to music, which is marked by constantly revising lists, mixes and playlists.

Mac Wilson Feature Archive

Daylight saving time
As we prepare to "spring ahead" into Daylight Saving Time, Bill DeVille and Mac Wilson are spinning tunes about time for Saturday's Honey Do. Taking a tip from the 9:30 Coffee Break, what songs about time do you want to hear? Make your request, and be sure to listen to Bill and Mac on Saturday from 10 a.m. to 7 p.m. (03/07/2015)
Houndmouth
Nurtured in the music scene of Louisville, Ky., alt-country four-piece Houndmouth stop by The Current's studio to chat with Mac Wilson the day after playing a sold-out show at the Turf Club in St. Paul. The band members talk about Louisville's supportive music scene and the advantage of having multiple lead singers in the band: "It's great because we don't individually have to write as many songs." (02/24/2015)
Belle and Sebastian 'Girls in Peacetime Want to Da
'Girls in Peacetime Want to Dance' is another strong collection of songs from one of the world's strongest bands; the only diminished area of strength is as an album per se. Fortunately, the band decided to release a deluxe edition, creating an entirely new and vastly more fulfilling experience. Read Mac Wilson's review. (02/16/2015)
With the release of the lead single, "I Don't Want to Change You," from Damien Rice's new outing, 'My Favourite Faded Fantasy,' social networks lit up with adulation and praise, as if an old best friend had suddenly re-emerged after a long absence. (12/08/2014)
Host Mac Wilson shares his top 10 songs of 2014. (12/01/2014)
TV on the Radio's new album is a thrilling return: arguably their most accessible effort to date, while still retaining just enough of the inscrutability that helped put them on the map. (11/24/2014)
When asked about his new record, Joseph Arthur unintentionally dropped a handful of big names. But now that the record is here only one name that matters: Lou. (10/27/2014)
Touring in support of <em>Indie Cindy</em>, iconic indie-rockers Pixies -- Frank Black, Joey Santiago, David Lovering and Paz Lenchantin -- stopped by The Current's studio to record a session and to chat with host Mac Wilson before their gig at the State Theatre. (10/14/2014)
Jeff Tweedy is in a band. No, not that band; not that band, either. It's an outfit he recently launched with his son, Spencer Tweedy, and is appropriately named Tweedy. <em>Sukierae</em> is the project's first album, and it's our Album of the Week. (09/15/2014)
The New Pornographers' newest record, 'Brill Bruisers', is not only their newest entry into a fantastic musical catalog, but also the latest chapter in a continuing narrative of the personal dynamic of this very special band and its members. (08/25/2014)
In town for a show at the Cedar Cultural Center, The Baseball Project stop into the studio to play some songs and to talk baseball with The Current's Mac Wilson. (08/11/2014)
Ahead of her show Sunday night at First Avenue in Minneapolis, Jenny Lewis stopped by The Current's studio for a live interview with Mac Wilson. The two talked about Lewis's new album 'The Voyager' and her collaborations with Ryan Adams and Beck. (08/03/2014)
"'The Voyager' is arguably the finest record of Jenny Lewis's career, which is not a conclusion I expected to derive, but a welcome surprise nonetheless." Read Mac Wilson's complete review of The Current's Album of the Week. (07/28/2014)
In town to open for Ray LaMontagne in the newly renovated Northrop Auditorium, Hamilton Leithauser stopped by The Current studios to chat with host Mac Wilson and to play tracks off his recently released solo debut. (07/11/2014)
Conor Oberst's newest solo effort is a continuation of many of his trademark tropes, with all the connotations that come with them. Overall, Oberst's melodies possess a familiarity, making all the songs seem both comfortable and easygoing. (06/16/2014)