A gifted young guitar player and singer-songwriter with a distinctively lovely voice, Bhi Bhiman is poised for major success in 2012. Though he's been billed as "a Sri Lankan Woody Guthrie," Bhiman has more American roots than that title suggests, having grown up on '90s alt-rock in St. Louis before moving to San Francisco, where he is currently based.
The Suicide Commandos were punk before it was punk. The legendary local trio was playing "New York Rock" in ballrooms, bars, and high schools all over Twin Cities and Minnesota after they formed in 1975. In their four years as a band, they released two 7" EPs and a full-length in 1977 called "Make A Record."
El Camino is a tight and efficient album with 11 songs clocking in at 38 minutes. The songs are well written and chock-full of the band's trademark gritty grooves.
Late last August, TV on the Radio were in the Twin Cities for a couple of shows at First Avenue.
L.A.-based Dawes has only been around a few years, but in that short time they've skyrocketed to the top of the folk-rock scene, especially with the release of their second album "Nothing Is Wrong." As an artist on ATO Records, they have harnessed plenty of inspiration with labelmates like My Morning Jacket, Drive-By Truckers and Gomez by their side.
Inspired by the 50s blues and rockabilly that her brother was listening to, Ireland's Imelda May began singing and performing at the age of 16. Twenty years later, she's still in the industry climbing up the charts in the UK with her record "Mayhem."
Onetime Polyphonic Spree member Annie Clark made her debut under the recording name St. Vincent four years ago with 2007's "Marry Me." But it was her sophomore effort, 2009's "Actor," that propelled her to critical acclaim and widespread popularity in the indie-rock community. Now, two years later, she has returned with her third album, "Strange Mercy."
Althought they don't consider themselves such, they are a "supergroup" of sorts. Wild Flag, featuring ex-members of Sleater-Kinney, Helium and The Minders officially formed in 2010 after Carrie Brownstein (Sleater-Kinney) announced it on the NPR All Songs Considered blog. The all-female rock band based in Portland, Oregon and Washington D.C., released their debut "Glass Tambourines" on Record Store Day.
Tied to the well-known Eau Claire, WI scene, folk-rockers Megafaun began as brothers in jazz band then morphed into a band known as DeYarmond Edision. That band moved to North Carolina, where they enjoyed the warm weather, but eventually lost their lead singer, who went on to be Bon Iver. They became the three piece that has released three records under the name Megafaun. And this month, they've added a member to the band and released their fourth, self-titled album packed with tight harmonies and Neil Young-like melodies.
The album shows a kinder, gentler Jayhawks, with fewer blazing Louris guitar solos, but still with plenty of the band's signature "close harmonies," as heard in one the album's highlights, "She Walks In So Many Ways."
Dawes' second album is no sophomore slump! Instead, it seems like an album from another era.
The Durham, N.C.-based band Mount Moriah only just released their self-titled debut LP a couple of months ago, preceeded by 2010's "Letting Go" EP, but guitarist Jenks Miller first started a band under the Biblically-influenced name Mount Moriah around five years ago. After some drastic shifts in sound and line-up, the band's sound has settled into a sweet, melancholy strain of folk music.
Taking their name from a short story written by Russian author, Tatyana Tolstaya, the Austin, Texas folk-rock band could literally be called a garage band - they recorded their debut album in a garage before being signed to Jagjaguwar records where they released four more critically-acclaimed records.
Call "Stone Rollin'" anything you want. I'll call it a "classic." Keep on learning, Mr. Saadiq!
Best-known as the frontman for Dinosaur Jr., J Mascis is- somewhat surprisingly- laconic and soft-spoken. In interviews, he is known for his minimal responses and repeated disdain for enthusiasm.