Rex Levang Feature Archive

Opera great Luciano Pavarotti made a stop in St. Paul in 2001, during his 40th anniversary tour. MPR's Rex Levang spoke with Pavarotti prior to that performance. (09/05/2007)
To complement your Valentine's Day, Minnesota Public Radio music director Rex Levang recommends recordings by three women whose stunning voices pull at the heartstrings. (02/10/2004)
MPR's Rex Levang earmarks 9 classical recordings for your collection this year. (01/02/2004)
During Saturday matinees at New York's Metropolitan Opera, it's safe to say, most of the audience is paying attention to the travails of Tosca, Siegfried, or Manon Lescaut. But there's a small group, sitting in a special box, whose thoughts are elsewhere. They're the panelists on the venerable Opera Quiz, and this season, for the first time, one of them will come from Minnesota Public Radio. (01/19/2002)
Over the years, Aaron Copland has been hailed as the quintessential American composer by everyone from Leonard Bernstein, who said, "He's the best we've got," to director Spike Lee, who paid musical tribute to Copland in his films. November 2000 marks the centenary of his birth - 100 years of Copland. To mark the occasion, we've come up with 10 nuggets about 10 aspects of the composer - 100 audio clips, anecdotes, quotes, and more. (11/12/2001)
An amiable, modest public figure or a morbidly sensitive, possibly suicidal, neurotic? Such are the conflicting images of Peter Ilich Tchaikovsky, whose birthday we celebrate this month. Though the popularity of his music is undisputed, the picture of Tchaikovsky the man has been anything but. Alexander Poznansky, a Russian music scholar at Yale, has taken a fresh look at this complex personality in "Tchaikovsky Through Others' Eyes" (University of Indiana Press, 1999) - a fascinating account of his life and career collected from the diaries of people closest to him. (05/05/2001)
Sometime in the Middle Ages, Christian churches began observing Holy Week by retelling the story of Christ's crucifixion in music. Those beginnings were simpleâBible verses set to simple chant melodiesâbut eventually they would culminate in one of the most ambitious musical compositions of all time. When J. S. Bach came to write his St. Matthew Passion in the 1720s, the passion, as a musical form, had grown to allow orchestra, choirs, and non-scriptural choruses and arias. But even by the standard of the Baroque passion, the Passion According to St. Matthew is exceptional for its musical richness and its grand scope. (04/01/2001)
Over the years, Aaron Copland has been hailed as the quintessential American composer by everyone from Leonard Bernstein, who said, "He's the best we've got," to director Spike Lee, who paid musical tribute to Copland in his films. November 2000 marks the centenary of his birth - 100 years of Copland. To mark the occasion, we've come up with 10 nuggets about 10 aspects of the composer - 100 audio clips, anecdotes, quotes, and more. (11/12/2000)
Can you recommend some pieces of Halloween music? Some real scary ones? And so in that spirit, from the world of classical music, we bring you a passel of quirky, ghoulish and upsetting lore about the people who created it. But be warned. There are no peeled grapes here. Everything you will read here is, as far as can be ascertained, quite true. If you prefer to think of Beethoven as a master musician who made important advances in the treatment of symphonic form, you may want to turn back at this point. But if you're curious who got hold of his skull in 1888. . . . (10/20/2000)
The cultural rebelliousness lit by Jean Cocteau and driven by Erik Satie spawned the next batch of eccentrics from which Les Six, a new musical avant-garde led by Satie and consisting of Darius Milhaud, Francis Poulenc, Arthur Honegger, Louis Durey, Germaine Tailleferre, and Georges Auric, was born. Many of their early works were good-naturedly Dadaist and make witty use of quotation and parody, popular music-hall style as well as jazz - a self-consciously simple style reacting against both Romanticism and Impressionism. (03/20/2000)
It's a scenario that plays out every year, and one in which you yourself may have been an observer, or even a participant. The audience is assembled in the concert hall, or church, or school auditorium. The orchestra tunes, the conductor appears, the conversations come to a halt, there is a welcoming round of applause. The orchestra strikes up a brief, vigorous overture. Then the tenor soloist rises to his feet and intones the opening words, "Comfort ye, comfort ye my people" - and another performance of Handel's Messiah is underway. (12/02/1999)
ANTONÃN DVORÃK started life as the son of a peasant in the provinces of the Austro-Hungarian Empire, and ended it as one of the most famous musicians in the world, whose pieces were eagerly received by audiences in the capitals of Europe and America. And there can't be too many American music lovers, especially in the Midwest, who haven't thought about retracing some of the steps of the remarkable journey that Dvorák took to the United States in the 1890s. (09/10/1999)
When you think about music and film directors, Alfred Hitchcock might not be the first name to come to mind. Stanley Kubrick was a greater recycler of classical music, Quentin Tarantino has done the same for Motown, Bergman and Zeffirelli have filmed more operas - and the list could continue. But Hitchcock has his share of big music moments. As the film world commemorates his 100th birthday on Friday, August 13, heres a chance to see how many you can identify. (08/01/1999)
JOAQUIN RODRIGO, the Spanish composer who died July 6, 1999, at the age of 97, was a rarity among contemporary composersâa composer who was not only respected, but beloved. His compositions, with their bright instrumentation and vivid evocations of Spain, won the affections of music lovers all over the world, and one of them, the "Concierto de Aranjuez," became the most popular guitar concerto ever written. (07/09/1999)
Fourth of July concerts are a little like Thanksgiving dinners. The items on the bill of fare aren't always identical - some people go with Copland instead of Gershwin, rutabagas instead of mashed potatoes - but there's a strong family resemblance all the same. So if you're taking John Adams's advice (who said that Independence Day should be "solemnized with pomp and parade, with shows, games, sports, guns, bells, bonfires, and iluminations") and heading out to a Fourth of July concert, here's a look at some of the items you may well hear. (07/04/1999)